{"id":4082,"date":"2020-05-06T18:58:04","date_gmt":"2020-05-06T21:58:04","guid":{"rendered":"http:\/\/site.claricelispector.ims.com.br\/creditos\/"},"modified":"2020-12-10T12:54:23","modified_gmt":"2020-12-10T15:54:23","slug":"credits","status":"publish","type":"page","link":"https:\/\/site.claricelispector.ims.com.br\/en\/credits\/","title":{"rendered":"Credits"},"content":{"rendered":"\n
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Credits<\/h1>\n<\/div><\/div>\n\n\n\n
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Considered one of the greatest names in Brazilian literature, Clarice Lispector<\/strong> debuted with the award-winning novel Near to the Wild Heart<\/em> (1943), deserving passionate attention from critics, given the singularity of her writing. Besides being a novelist, author of the acclaimed The Passion According to G.H.<\/em> (1964) and The Hour of the Star<\/em> (1977), she established herself as a short story author thanks to titles such as Family Ties<\/em> (1960) and The Foreign Legion<\/em> (1964). Her oeuvre also includes children\u2019s books and a vast number of chronicles. Her work today is widely translated and disseminated, with critics placing her works among internationally recognized authors such as Virginia Woolf, Kafka and Katherine Mansfield.<\/h3>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
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Conception<\/h6>\n\n\n\n

Bruno Cosentino<\/p>\n\n\n\n

Elizama Almeida<\/p>\n\n\n\n

Eucana\u00e3 Ferraz<\/p>\n\n\n\n

<\/p>\n\n\n\n

Coordination<\/h6>\n\n\n\n

Eucana\u00e3 Ferraz<\/p>\n\n\n\n

<\/p>\n\n\n\n

Research<\/h6>\n\n\n\n

Bruno Cosentino<\/p>\n\n\n\n

Elizama Almeida<\/p>\n\n\n\n

Eucana\u00e3 Ferraz<\/p>\n\n\n\n

F\u00e1bio Frohwein<\/p>\n\n\n\n

<\/p>\n\n\n\n

Texts<\/h6>\n\n\n\n

Bruno Cosentino<\/p>\n\n\n\n

Clarisse Fukelman<\/p>\n\n\n\n

Elizama Almeida<\/p>\n\n\n\n

Elvia Bezerra<\/p>\n\n\n\n

F\u00e1bio Frohwein<\/p>\n\n\n\n

Martha Alkmin<\/p>\n\n\n\n

N\u00e1dia Gotlib<\/p>\n\n\n\n

Rosa Gens<\/p>\n\n\n\n

Victor Heringer<\/p>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
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English Translation*<\/h6>\n\n\n\n

Marco Oliveira<\/p>\n\n\n\n

Sean McIntyre<\/p>\n\n\n\n

Marcello Sorrentino<\/p>\n\n\n\n

<\/p>\n\n\n\n

Images<\/h6>\n\n\n\n

Acervo Paulo Gurgel Valente<\/p>\n\n\n\n

Arquivo Geral da Cidade do Rio de Janeiro | Cole\u00e7\u00e3o Augusto Malta<\/p>\n\n\n\n

C\u00e1ssio Loredano<\/p>\n\n\n\n

Cl\u00e1udia Andujar<\/p>\n\n\n\n

Funda\u00e7\u00e3o Casa de Rui Barbosa\/Arquivo-Museu de Literatura Brasileira | Arquivo Clarice Lispector<\/p>\n\n\n\n

Instituto Moreira Salles | Acervo Clarice Lispector<\/p>\n\n\n\n

Instituto Moreira Salles | Acervo Elisa Lispector<\/p>\n\n\n\n

Instituto Moreira Salles | Acervo Marcel Gautherot<\/p>\n\n\n\n

Instituto Moreira Salles | Acervo Maureen Bisilliat<\/p>\n\n\n\n

<\/p>\n\n\n\n

Site development<\/h6>\n\n\n\n

ESTUDIO CRU<\/p>\n\n\n\n

<\/p>\n\n\n\n

Audio\/Video<\/h6>\n\n\n\n

Instituto Moreira Salles | SP<\/p>\n\n\n\n

Instituto Moreira Salles | R\u00e1dio Batuta<\/p>\n\n\n\n

Mira Filmes<\/p>\n\n\n\n

<\/p>\n\n\n\n

Content Publication<\/h6>\n\n\n\n

Instituto Moreira Salles | RJ<\/p>\n\n\n\n

Bruno Cosentino<\/p>\n<\/div>\n\n\n\n

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Collaborators<\/h6>\n\n\n\n

Jos\u00e9 Miguel Wisnik<\/p>\n\n\n\n

N\u00e1dia Gotlib<\/p>\n\n\n\n

Roberto Corr\u00eaa dos Santos<\/p>\n\n\n\n

Veridiana de Abreu Scarpelli<\/p>\n\n\n\n

<\/p>\n\n\n\n

Communications consultant<\/h6>\n\n\n\n

B\u00e1rbara Giacomet <\/p>\n\n\n\n

<\/p>\n\n\n\n

Acknowledgements<\/h6>\n\n\n\n

Alexandra Lucas Coelho<\/p>\n\n\n\n

Caetano Galindo<\/p>\n\n\n\n

Carlos Mendes de Sousa<\/p>\n\n\n\n

C\u00e1ssio Loredano<\/p>\n\n\n\n

Cec\u00edlia Himmelseher<\/p>\n\n\n\n

Cristina Zappa<\/p>\n\n\n\n

Editora Rocco<\/p>\n\n\n\n

Fl\u00e1vio Moura<\/p>\n\n\n\n

N\u00e1dia Gotlib<\/p>\n\n\n\n

Paulo Gurgel Valente<\/p>\n\n\n\n

Ros\u00e2ngela Florido Rangel<\/p>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

*Unless otherwise indicated, all quotes from Clarice Lispector\u2019s works published in English were obtained from the following translations. Quotes from non-published works (e.g. novels, short stories, chronicles, correspondence, interviews, etc.) were translated by Marco Alexandre de Oliveira, Sean McIntyre, and Marcello Sorrentino. Novels<\/strong>: Near to the Wild Heart<\/em> \u2013 Translated by Giovanni Pontiero in 1990 and Alison Entrekin in 2012; The Chandelier<\/em> \u2013 Translated by Benjamin Moser and Magdalena Edwards; The Besieged City<\/em> \u2013 Translated by Johnny Lorenz; The Apple in the Dark<\/em> \u2013 Translated by Gregory RabaThe Passion According to G.H.<\/em> \u2013 Translated by Idra Novey; The Apple in the Dark<\/em> \u2013 Translated by Gregory Raba; The Passion According to G.H.<\/em> \u2013 Translated by Idra Novey; An Apprenticeship, or, The Book of Delights<\/em> \u2013 Translated by Richard A. Mazzara and Lorri A. Parris; An Apprenticeship, or The Book of Pleasures<\/em> \u2013 Translated by Stefan Tobler; \u00c1gua Viva<\/em> \u2013 Translated Stefan Tobler (Translated in 1978 by Elizabeth Lowe and Earl Fitz as The Stream of Life<\/em>); The Hour of the Star<\/em> \u2013 Translated by Benjamin Moser; A Breath of Life<\/em> \u2013 Translated by Johnny Lorenz. Short story collections<\/strong>: Family Ties <\/em>\u2013 Translated by Giovanni Pontiero; The Foreign Legion <\/em>\u2013 Translated by Giovanni Pontiero; The Complete Stories<\/em>  \u2013 Translated by Katrina Dodson. Children’s literature<\/strong>: The Woman Who Killed the Fish <\/em>\u2013 Translated by Benjamin Moser. Chronicles<\/strong>: Discovering the World<\/em> \u2013 Translated by Giovanni Pontiero; Selected Cr\u00f4nicas <\/em>\u2013 Translated by Giovanni Pontiero. <\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Considered one of the greatest names in Brazilian literature, Clarice Lispector debuted with the award-winning novel Near to the Wild Heart (1943), deserving passionate attention from critics, given the singularity of her writing. Besides being a novelist, author of the acclaimed The Passion According to G.H. (1964) and The Hour of the Star (1977), she established herself as a short story author thanks […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-4082","page","type-page","status-publish","hentry"],"yoast_head":"\nCredits - Clarice Lispector<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/site.claricelispector.ims.com.br\/credits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Credits - Clarice Lispector\" \/>\n<meta property=\"og:description\" content=\"Considered one of the greatest names in Brazilian literature, Clarice Lispector debuted with the award-winning novel Near to the Wild Heart (1943), deserving passionate attention from critics, given the singularity of her writing. 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