{"id":9702,"date":"2020-09-27T17:23:17","date_gmt":"2020-09-27T20:23:17","guid":{"rendered":"http:\/\/site.claricelispector.ims.com.br\/?page_id=9702"},"modified":"2022-12-21T15:02:14","modified_gmt":"2022-12-21T18:02:14","slug":"search","status":"publish","type":"page","link":"https:\/\/site.claricelispector.ims.com.br\/en\/search\/","title":{"rendered":"Search result"},"content":{"rendered":"\n<script src=\"https:\/\/unpkg.com\/@lottiefiles\/lottie-player@0.4.0\/dist\/lottie-player.js\"><\/script>\n<div class=\"block abertura\">\n    <h2>Search result<\/h2>\n    <lottie-player\n    autoplay\n    loop\n    mode=\"normal\"\n    src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/themes\/clarice-acervo\/blocks\/abertura\/inc\/preto-terra.json\"\n    >\n    <\/lottie-player>\n<\/div>\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"search-filter-results\" id=\"search-filter-results-11961\">\n\t<div class='search-filter-results-list resultado-busca'>\n\t\t\t\t\n\t\t\t<div class=\"card type-post post-14339 post status-publish format-standard has-post-thumbnail hentry category-essays category-uncategorized\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2026\/03\/12\/a-breath-of-life-in-unediting\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1772\" height=\"1181\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Design-sem-nome-3-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"A Breath of Life in Unediting\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Design-sem-nome-3-1.jpg 1772w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Design-sem-nome-3-1-300x200.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Design-sem-nome-3-1-1024x682.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Design-sem-nome-3-1-768x512.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Design-sem-nome-3-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1772px) 100vw, 1772px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">12\/03\/2026<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2026\/03\/12\/a-breath-of-life-in-unediting\/\" title=\"A Breath of Life in Unediting\">A Breath of Life in Unediting<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">A little known concept in Portuguese, unediting is less a theory and more a practical way to support complex publishing cases, such as the publication of A Breath of Life, a posthumous novel by Clarice Lispector organized by Olga Borelli. The aim of unediting is to undo the illusion of transparency that the ready, finished, and linear book, with a minimally stabilized narrative, conveys to readers.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-14147 post status-publish format-standard has-post-thumbnail hentry category-videos-2 category-videos-en tag-amor-en tag-conto-en tag-childhoods tag-infancias-en tag-literatura-en tag-rocco-en\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/12\/10\/pequenas-leituras\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/frame-alice-e-celeste0-3.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Little Readings\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/frame-alice-e-celeste0-3.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/frame-alice-e-celeste0-3-300x169.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/frame-alice-e-celeste0-3-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Videos<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">10\/12\/2025<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/12\/10\/pequenas-leituras\/\" title=\"Little Readings\">Little Readings<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">In the 2025 edition of Clarice\u2019s Hour, we will celebrate, through the voices and presentations of kids, the children's story \u201cLaura\u2019s Intimate Life,\u201d published as a book by Clarice Lispector in 1974. In this film, six children retell, act, illustrate, and co-direct the story of Laura the hen, her husband Lu\u00eds, and their son Hermany in Dona Lu\u00edsa's henhouse.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-14038 post status-publish format-standard has-post-thumbnail hentry category-essays\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/09\/25\/clarice-lispector-and-the-invention-of-judeity\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2022\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Clarice Lispector and the Invention of Judeity\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-scaled.jpg 2560w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-300x237.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-1024x809.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-768x607.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-1536x1213.jpg 1536w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059549-web-2048x1618.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">25\/09\/2025<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/09\/25\/clarice-lispector-and-the-invention-of-judeity\/\" title=\"Clarice Lispector and the Invention of Judeity\">Clarice Lispector and the Invention of Judeity<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">Benjamin Moser, one of the most significant biographers of Clarice Lispector, said in an interview that one of his goals in writing Why This World, published in the United States and translated into Portuguese as Clarice, uma biografia, was to make space for a theme rarely explored by literary critics, commentators, and biographers: the writer\u2019s \u201cJudeity.\u201d Most tend to limit themselves to reflecting on her \u201cBrazilianness,\u201d \u201cas if one had to choose between being Jewish and being Brazilian.\u201d <\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13982 post status-publish format-standard has-post-thumbnail hentry category-statement\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/05\/29\/always-roses-for-clarice\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"595\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/marina-e-Clarice.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Always Roses for Clarice\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/marina-e-Clarice.jpg 778w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/marina-e-Clarice-300x229.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/marina-e-Clarice-768x587.jpg 768w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Statement<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">29\/05\/2025<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/05\/29\/always-roses-for-clarice\/\" title=\"Always Roses for Clarice\">Always Roses for Clarice<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">The day I met Clarice was not the same day she met me. I was all adoration, observing her. She had no reason to even lay eyes on me. Leaving the Jornal do Brasil newsroom together, the journalist Yllen Kerr, a great friend of mine, said he was going to visit Clarice and asked if I wanted to go. Did I ever! <\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13863 post status-publish format-standard has-post-thumbnail hentry category-essays category-uncategorized\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/04\/01\/clarice-patroa\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"642\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-patroa_web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Clarice, Mistress\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-patroa_web.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-patroa_web-300x188.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-patroa_web-768x482.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">01\/04\/2025<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/04\/01\/clarice-patroa\/\" title=\"Clarice, Mistress\">Clarice, Mistress<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">The frequent allusion to domestic servants in the urban environment of her chronicles demonstrates what is a reality for many middle-class families in the country: incorporated into the intimate environment of the home in the condition of a \u201cdomesticated outsider\u201d, the domestic servant constitutes the most lasting and personal relationship that a member of the middle class allows themselves to establish with poverty.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13781 post status-publish format-standard has-post-thumbnail hentry category-ensaios category-uncategorized tag-a-hora-da-estrela tag-literatura tag-perto-do-coracao-selvagem\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/02\/13\/in-the-name-of-my-father\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"785\" height=\"768\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059563-3.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"&#8220;In the Name of My Father&#8221;\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059563-3.png 785w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059563-3-300x294.png 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059563-3-768x751.png 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/059563-3-60x60.png 60w\" sizes=\"auto, (max-width: 785px) 100vw, 785px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Ensaios<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">13\/02\/2025<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2025\/02\/13\/in-the-name-of-my-father\/\" title=\"&#8220;In the Name of My Father&#8221;\">&#8220;In the Name of My Father&#8221;<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">Clarice\u2019s connection with politics does not take place on the surface of public life, or in the texts that directly address the issue. This is due to the writer\u2019s understanding of the rift between art and politics, which is addressed in two related texts, \u201cLiterature and Justice\u201d and \u201cWhat I Would Like to Have Been,\u201d in which she observes with disconcerting lucidity the uselessness of her literature as a political instrument.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13723 post status-publish format-standard has-post-thumbnail hentry category-podcast-2\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/12\/10\/clarice-lispector-visions-of-splendor\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1673\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Clarice Lispector: Visions of Splendor\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-scaled.jpg 2560w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-300x196.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-1024x669.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-768x502.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-1536x1004.jpg 1536w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-esplendor-web-grande-2048x1339.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Podcast<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">10\/12\/2024<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/12\/10\/clarice-lispector-visions-of-splendor\/\" title=\"Clarice Lispector: Visions of Splendor\">Clarice Lispector: Visions of Splendor<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">Acclaimed by critics and a popular phenomenon on the internet, Clarice Lispector is considered, internationally, one of the great names in 20th century literature. Mysterious, obscure, revealing, experimental, strangely mystical, or philosophical \u2013 how to define the writing of the author of The Hour of the Star? This podcast, conceived and presented by Bruno Cosentino and Eucana\u00e3 Ferraz, covers Clarice\u2019s life and work in five episodes, in which they talk to great specialists, professors, and researchers.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13679 post status-publish format-standard has-post-thumbnail hentry category-videos category-videos-2\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/09\/10\/clarices-days-in-washington\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/21.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Clarice&#8217;s Days in Washington\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/21.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/21-300x200.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/21-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">V\u00eddeos<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">10\/09\/2024<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/09\/10\/clarices-days-in-washington\/\" title=\"Clarice&#8217;s Days in Washington\">Clarice&#8217;s Days in Washington<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">The film <i>Clarice's Days in Washington<\/i> captures a very different and decisive moment in the life and work of the writer, when she lived in the American capital with her family, between 1952 and 1959. In addition to a significant number of unpublished photographs \u2013 which record her domestic environment and interactions with friends \u2013 there are precious images filmed during a public event, in which the writer, her husband Maury Gurgel Valente, their son Paulo, in addition to friends of the couple appear.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13579 post status-publish format-standard has-post-thumbnail hentry category-essays category-uncategorized\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/05\/27\/me-a-witch\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"2500\" height=\"1471\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\u201cMe, A Witch?\u201d\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web.jpg 2500w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web-300x177.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web-1024x603.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web-768x452.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web-1536x904.jpg 1536w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/0000_009SB004-4web-2048x1205.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">27\/05\/2024<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/05\/27\/me-a-witch\/\" title=\"\u201cMe, A Witch?\u201d\">\u201cMe, A Witch?\u201d<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">In January 1975, Clarice Lispector received an invitation letter, signed by Sim\u00f3n Gonz\u00e1lez, a Colombian businessman, politician, and mystic, inviting her to take part in the First World Congress of Witchcraft, which would be held between August 24 and 28 of that same year in Bogot\u00e1, Colombia. [...] But why was Clarice Lispector invited to the First World Congress of Witchcraft?<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13496 post status-publish format-standard has-post-thumbnail hentry category-ensaios\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/05\/16\/the-darkness-in-darkness\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"854\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/LeticiaRamos017.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"The Darkness in Darkness\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/LeticiaRamos017.jpg 1920w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/LeticiaRamos017-300x133.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/LeticiaRamos017-1024x455.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/LeticiaRamos017-768x342.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/LeticiaRamos017-1536x683.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Ensaios<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">16\/05\/2024<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/05\/16\/the-darkness-in-darkness\/\" title=\"The Darkness in Darkness\">The Darkness in Darkness<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">Darkness is a hollow word and one never really knows what fits inside Its dimensions are so undetermined that perhaps it could even be said that everything fits and nothing fits in it, since, being an immense storehouse of paradoxes, the ambiguous quality of immeasurable is immediately added to the primordial void that characterizes it. These attributes, thus agreed, gain particular density when prepared by the wrought of the author of <i>The Apple in the Dark<\/i>.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13461 sobre type-sobre status-publish hentry tipo-artigos-e-ensaios formato-pdf-e-book tema-amor-conto\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/sobre\/o-mal-assombrado-dia-em-clarice-lispector\/\" aria-hidden=\"true\" tabindex=\"-1\"><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Documento<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\"><\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">23\/02\/2024<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/sobre\/o-mal-assombrado-dia-em-clarice-lispector\/\" title=\"O mal-assombrado dia em Clarice Lispector\">O mal-assombrado dia em Clarice Lispector<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13238 post status-publish format-standard has-post-thumbnail hentry category-essays\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/02\/22\/the-unfamiliar\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/021BF01524-web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"The Unfamiliar\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/021BF01524-web.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/021BF01524-web-300x199.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/021BF01524-web-768x509.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">22\/02\/2024<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2024\/02\/22\/the-unfamiliar\/\" title=\"The Unfamiliar\">The Unfamiliar<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">The word \u201cunfamiliar\u201d is used by Clarice Lispector in several of her works. To be precise, in the original Portuguese, Clarice employed the neologism infamiliar, which is not in the dictionary, though it cannot be affirmed that the author is the source of this term in Brazilian literature. Nonetheless, by mentioning the word \u201cunfamiliar\u201d at least sixteen times, whether in novels, short stories, or chronicles, the author makes this unique signifier an object of greater attention.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13382 post status-publish format-standard has-post-thumbnail hentry category-videos-2 category-videos\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/12\/09\/the-rio-de-janeiro-of-clarice-lispector\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1366\" height=\"768\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/WhatsApp-Image-2023-12-09-at-10.26.13.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"The Rio de Janeiro of Clarice Lispector\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/WhatsApp-Image-2023-12-09-at-10.26.13.jpeg 1366w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/WhatsApp-Image-2023-12-09-at-10.26.13-300x169.jpeg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/WhatsApp-Image-2023-12-09-at-10.26.13-1024x576.jpeg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/WhatsApp-Image-2023-12-09-at-10.26.13-768x432.jpeg 768w\" sizes=\"auto, (max-width: 1366px) 100vw, 1366px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Videos<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">09\/12\/2023<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/12\/09\/the-rio-de-janeiro-of-clarice-lispector\/\" title=\"The Rio de Janeiro of Clarice Lispector\">The Rio de Janeiro of Clarice Lispector<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">Clarice Lispector spent her childhood in Recife, but at the age of 15 she moved with her father and two sisters to Rio de Janeiro. It was in the then capital of Brazil that the writer lived her youth and early adult life: she completed high school, graduated from law school, had her first professional experiences in the press, got married, and in 1943, released her first book Near to the Wild Heart.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13344 post status-publish format-standard has-post-thumbnail hentry category-videos\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/10\/19\/interview-with-claire-williams\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1177\" height=\"642\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Screen-Shot-2023-10-19-at-12.02.45-PM.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Interview with Claire Williams\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Screen-Shot-2023-10-19-at-12.02.45-PM.png 1177w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Screen-Shot-2023-10-19-at-12.02.45-PM-300x164.png 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Screen-Shot-2023-10-19-at-12.02.45-PM-1024x559.png 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Screen-Shot-2023-10-19-at-12.02.45-PM-768x419.png 768w\" sizes=\"auto, (max-width: 1177px) 100vw, 1177px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">V\u00eddeos<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">19\/10\/2023<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/10\/19\/interview-with-claire-williams\/\" title=\"Interview with Claire Williams\">Interview with Claire Williams<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13310 post status-publish format-standard has-post-thumbnail hentry category-ensaios category-uncategorized\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/09\/22\/de-uma-leitura-a-felicidade-secreta\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1.505840-GettyImages-180772983.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"On a Reading, the Secret Happiness\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1.505840-GettyImages-180772983.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1.505840-GettyImages-180772983-300x300.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1.505840-GettyImages-180772983-150x150.jpg 150w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1.505840-GettyImages-180772983-768x768.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1.505840-GettyImages-180772983-60x60.jpg 60w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Ensaios<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">22\/09\/2023<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/09\/22\/de-uma-leitura-a-felicidade-secreta\/\" title=\"On a Reading, the Secret Happiness\">On a Reading, the Secret Happiness<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">In a small, vast, and brilliant book called <i>Three Steps on the Ladder of Writing<\/i>, by H\u00e9l\u00e8ne Cixous (1993), the author is taken to three schools by writers that she loves: the School of the Dead, the School of Dreams, and the School of Roots. One of the books that transport Cixous to the School of Dreams is Clarice Lispector\u2019s second published novel, <i>The Chandelier<\/i>.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13151 post status-publish format-standard has-post-thumbnail hentry category-essays category-childrens-literature tag-childhoods\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/07\/13\/child-and-origin\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"666\" height=\"1024\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-crianca-web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Child and Origin\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-crianca-web.jpg 666w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/clarice-crianca-web-195x300.jpg 195w\" sizes=\"auto, (max-width: 666px) 100vw, 666px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">13\/07\/2023<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/07\/13\/child-and-origin\/\" title=\"Child and Origin\">Child and Origin<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">More or less fantastic in their plots, these children\u2019s stories reveal narrators who, stripped almost completely of their fictional character, are very similar to the author: they are mothers, writers, they go by the initials \u201cC.L.,\u201d or even say their name is Clarice. Thus, if there is a horizontal posture in these narrators in which respect for the particularities of childhood is presupposed, this same movement also shows the desire to become a little more like a child. <\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13122 post status-publish format-standard has-post-thumbnail hentry category-videos-2\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/04\/26\/ulisses-lispector-a-portrait\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"2237\" height=\"2560\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Ulisses Lispector: A Portrait\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-scaled.jpg 2237w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-262x300.jpg 262w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-895x1024.jpg 895w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-768x879.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-1342x1536.jpg 1342w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/CL_Dico_02-corte-1790x2048.jpg 1790w\" sizes=\"auto, (max-width: 2237px) 100vw, 2237px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Videos<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">26\/04\/2023<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/04\/26\/ulisses-lispector-a-portrait\/\" title=\"Ulisses Lispector: A Portrait\">Ulisses Lispector: A Portrait<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">The film portrays the famous Ulisses, Clarice Lispector\u2019s dog and a prominent character in her life and fiction. He is present in the posthumous novel\u00a0A Breath of Life, he is the narrator of the children\u2019s book\u00a0Quase de verdade\u00a0(Almost True), he was mentioned in countless chronicles, and today he is immortalized, alongside his owner, in a bronze statue at Leme Beach, in Rio de Janeiro.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13056 post status-publish format-standard has-post-thumbnail hentry category-videos-2 tag-infancias\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/01\/23\/clarices-childhood\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/WhatsApp-Image-2022-08-03-at-10.33.12-e1674482668695.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Clarice&#8217;s Childhood\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Videos<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">23\/01\/2023<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2023\/01\/23\/clarices-childhood\/\" title=\"Clarice&#8217;s Childhood\">Clarice&#8217;s Childhood<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">In this video lesson, Mell Brites, author of the book As Crian\u00e7as de Clarice: Narrativas da Inf\u00e2ncia e Outras Revela\u00e7\u00f5es (The Children of Clarice: Narratives of Childhood and Other Revelations), addresses the theme of childhood in Clarice Lispector\u2019s literature, both in her children's books and in those aimed at an adult audience.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13030 post status-publish format-standard has-post-thumbnail hentry category-noticias\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/12\/08\/close-to-clarice\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1626\" height=\"1080\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Perto_02-2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Close to Clarice\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Perto_02-2.jpg 1626w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Perto_02-2-300x199.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Perto_02-2-1024x680.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Perto_02-2-768x510.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Perto_02-2-1536x1020.jpg 1536w\" sizes=\"auto, (max-width: 1626px) 100vw, 1626px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Not\u00edcias<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">08\/12\/2022<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/12\/08\/close-to-clarice\/\" title=\"Close to Clarice\">Close to Clarice<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">On December 10th, IMS Rio celebrates Clarice Lispector\u2019s birthday. This year, we will present, in a single screening, the short film Perto de Clarice (Close to Clarice), by Jo\u00e3o Carlos Horta, from 1982, in a new digital version based on the 35mm original preserved by the Audiovisual Technical Center (CTAv). After the film screening, there will be a conversation between the writer Heloisa Buarque de Holanda, who was involved in the making of the film and is the director's widow, and Teresa Montero, author of the most recent biography of the writer, \u00c0 procura da pr\u00f3pria coisa (In Search of the Thing Itself \u2013 Rocco, 2021), mediated by the IMS literature consultant, the poet Eucana\u00e3 Ferraz.\r\n\ufeff<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-13004 post status-publish format-standard has-post-thumbnail hentry category-noticias\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/12\/08\/clarice-in-princetons-network\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1504\" height=\"1000\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/creditos.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Clarice in Princeton&#8217;s Network\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/creditos.jpg 1504w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/creditos-300x199.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/creditos-1024x681.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/creditos-768x511.jpg 768w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Not\u00edcias<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">08\/12\/2022<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/12\/08\/clarice-in-princetons-network\/\" title=\"Clarice in Princeton&#8217;s Network\">Clarice in Princeton&#8217;s Network<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">The Brazil LAB is an interdisciplinary initiative at Princeton University that considers Brazil to be a crucial nexus for us to understand today\u2019s most pressing issues. Based at PIIRS (Princeton Institute of International and Regional Studies), the LAB brings together professors, researchers, and students from more than 20 different university departments (from the social to the natural sciences, from engineering to the arts and humanities) in interaction with dozens of researchers from academic institutions of excellence.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-12985 post status-publish format-standard has-post-thumbnail hentry category-cronicas\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/12\/08\/a-chronicle-of-a-patrimony-that-needs-to-be-preserved\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1925_Clarice.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"A Chronicle of a Patrimony that Needs To Be Preserved\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1925_Clarice.jpg 676w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/1925_Clarice-198x300.jpg 198w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Cr\u00f4nicas<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">08\/12\/2022<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/12\/08\/a-chronicle-of-a-patrimony-that-needs-to-be-preserved\/\" title=\"A Chronicle of a Patrimony that Needs To Be Preserved\">A Chronicle of a Patrimony that Needs To Be Preserved<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">I died. I found out when, one day, on the sidewalk of Pra\u00e7a Maciel Pinheiro, I lifted my head, opened my eyes, and saw myself dead, there on the plaza\u2019s sidewalk, the two-story house on the other side of the street. My broken heart inside my chest, the two-story house on Rua do Arag\u00e3o, 387, where, on the second floor, Clarice Lispector lived a happy childhood here in Recife, despite the pains of the world and experiencing and feeling, mainly, the pains of an implacable disease that would one day take Mania, her mother, away from her. I found out when, laid out on the sidewalk there under the scorching Sunday sun, I turned my head to the right and saw a man beside me, who was also looking at the house.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-12843 post status-publish format-standard has-post-thumbnail hentry category-essays\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/06\/29\/in-search-of-clarice-lispector-the-biographical-challenge-of-teresa-montero\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1964\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"In Search of Clarice Lispector: The Biographical Challenge of Teresa Montero\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl.jpg 2000w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl-300x295.jpg 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl-1024x1006.jpg 1024w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl-768x754.jpg 768w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl-1536x1508.jpg 1536w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/a\u0300-procura-de-cl-60x60.jpg 60w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">29\/06\/2022<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/06\/29\/in-search-of-clarice-lispector-the-biographical-challenge-of-teresa-montero\/\" title=\"In Search of Clarice Lispector: The Biographical Challenge of Teresa Montero\">In Search of Clarice Lispector: The Biographical Challenge of Teresa Montero<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre\u2019s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation. <\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-12817 sobre type-sobre status-publish hentry tipo-artigos-e-ensaios formato-pdf-e-book\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/sobre\/diagramas-para-uma-trilogia-de-clarice\/\" aria-hidden=\"true\" tabindex=\"-1\"><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Documento<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\"><\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">25\/05\/2022<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/sobre\/diagramas-para-uma-trilogia-de-clarice\/\" title=\"Diagramas para uma trilogia de Clarice\">Diagramas para uma trilogia de Clarice<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t<div class=\"card type-post post-12772 post status-publish format-standard has-post-thumbnail hentry category-essays category-uncategorized\">\n\t\t\t\t\t\t<a class=\"post-thumbnail\" href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/05\/25\/olimpico-the-last-man-will-be-the-first\/\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"884\" height=\"588\" src=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Captura-de-Tela-2022-05-25-a\u0300s-10.28.53.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Ol\u00edmpico: The Last Man Will Be the First\" srcset=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Captura-de-Tela-2022-05-25-a\u0300s-10.28.53.png 884w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Captura-de-Tela-2022-05-25-a\u0300s-10.28.53-300x200.png 300w, https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/Captura-de-Tela-2022-05-25-a\u0300s-10.28.53-768x511.png 768w\" sizes=\"auto, (max-width: 884px) 100vw, 884px\" \/><\/a>\n\t\t\t<ul class=\"meta-card\">\n\t\t\t\t\t\t\t\t<li class=\"post-type\"><span>Postagem<\/span><\/li>\n\t\t\t\t\t\t\t\t<li class=\"categoria\">Essays<\/li>\t\t\t\t<li class=\"data\"><p class=\"data\">25\/05\/2022<\/p><\/li>\n\t\t\t<\/ul>\n\n\t\t\t\n\t\t\t\t<h3 class=\"titulo\"><a href=\"https:\/\/site.claricelispector.ims.com.br\/en\/2022\/05\/25\/olimpico-the-last-man-will-be-the-first\/\" title=\"Ol\u00edmpico: The Last Man Will Be the First\">Ol\u00edmpico: The Last Man Will Be the First<\/a><\/h3>\n\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t<p class=\"chamada\">[...] throughout all of Clarice\u2019s work there is a dazzling \u2013 almost primordial, inaugural, Edenic \u2013 vision of gender, of the man-woman division.\u00a0 One notes a frightened fascination that there is a male-animal-man in the world, as we read, for example, in the short story \u201cThe Buffalo,\u201d and also in another story about phantasmic and monstrous masculinity titled \u201cThe Dinner\u201d.<\/p>\n\t\t\t\t\t\n\t\t<\/div>\n\t\t\t\n\t\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":15,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-9702","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Search result - Clarice Lispector<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/site.claricelispector.ims.com.br\/search\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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