{"id":4613,"date":"2018-06-12T00:00:00","date_gmt":"2018-06-12T03:00:00","guid":{"rendered":"http:\/\/site.claricelispector.ims.com.br\/as-tres-mulheres-de-clarice\/"},"modified":"2020-12-04T14:37:56","modified_gmt":"2020-12-04T17:37:56","slug":"as-tres-mulheres-de-clarice","status":"publish","type":"post","link":"https:\/\/site.claricelispector.ims.com.br\/en\/2018\/06\/12\/as-tres-mulheres-de-clarice\/","title":{"rendered":"Clarice\u2019s three women"},"content":{"rendered":"\n<p>A new book by Clarice Lispector has just been released: <em>Correio para mulheres<\/em>&nbsp;(Women\u2019s Mail). The collection, edited by Aparecida Maria Nunes, includes texts directed towards a female readership and written in three distinct moments in the writer\u2019s career.&nbsp;<\/p>\n\n\n\n<p>On the first occasion, between May and September of 1952, Clarice writes the column \u201cEntre mulheres\u201d (Among Women) in the <em>Com\u00edcio <\/em>newspaper, founded by her friend Rubem Braga, where she publishes under the pseudonym of Tereza Quadros. A few years later, in 1959, she assumes \u201cFeira de utilidades\u201d (Utility Fair) in the <em>Correio da Manh\u00e3 <\/em>newspaper, now under the name of Helen Palmer. Finally, over the next two years, the \u201cNossa conversa\u201d (Our Conversation) column, this time as a ghost writer for the actress Ilka Soares, whom she befriended and who was, according to column editor Albert Dines, an \u201cauthentic pseudonym.\u201d<\/p>\n\n\n\n<p>Clarice deploys three women\u2019s names in order to preserve her literary production, which was published in books under her real name, but also in the press, in magazines such as <em>Senhor<\/em>&nbsp;and in the newspaper&nbsp;<em>Jornal do Brasil<\/em>, in which she reached great popularity with the public.&nbsp;<\/p>\n\n\n\n<p>In the unpretentious space of women\u2019s columns \u2013 and with the freedom guaranteed by anonymity \u2013, Clarice gives advice on etiquette, fashion, diet, and raising children, without however being able to completely disappear. Clarice\u2019s style and sense of humor are often seen there, in addition to the discussion of topics that will be developed in her novels.&nbsp;<\/p>\n\n\n\n<p>The exhortation for the liberation of women\u2019s mores in the midst of the injunctions attributed to the female sex permeated several texts. In \u201cDriblando a moda\u201d (Evading Fashion), for example, she recommends: \u201c(\u2026) purple is the next color. For some of you, purple will fit like a luxury glove. In others, despite being in fashion, it may look sad and widowed. Remember: fashion is fashion, but you are in charge.\u201d In another, \u201cQuem \u00e9 que voc\u00ea deve imitar?\u201d (Whom Should You Imitate?), she is more direct: \u201cThe question is this: you must imitate yourself.\u201d<\/p>\n\n\n\n<p>The new edition is the result of the fusion of two previously published books: <em>Correio feminino<\/em>\u00a0(Ladies\u2019 Mail) and <em>S\u00f3 para mulheres <\/em>(Just for Women). The journalist Alberto Dines, recently deceased, is the author of the introduction, in which he remembers the neatness with which his friend turned in her pages set up with images cut out from French magazines and the different texts and titles that were typewritten and arranged how they should appear: \u201cShe was not only a diligent columnist, attentive to her reader, but also a careful editor,\u201d the prefacer observes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new book by Clarice Lispector has just been released: Correio para mulheres&nbsp;(Women\u2019s Mail). The collection, edited by Aparecida Maria Nunes, includes texts directed towards a female readership and written in three distinct moments in the writer\u2019s career.&nbsp; On the first occasion, between May and September of 1952, Clarice writes the column \u201cEntre mulheres\u201d (Among [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":4814,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[552],"tags":[],"class_list":["post-4613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Clarice\u2019s three women - Clarice Lispector<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clarice\u2019s three women - Clarice Lispector\" \/>\n<meta property=\"og:description\" content=\"A new book by Clarice Lispector has just been released: Correio para mulheres&nbsp;(Women\u2019s Mail). The collection, edited by Aparecida Maria Nunes, includes texts directed towards a female readership and written in three distinct moments in the writer\u2019s career.&nbsp; On the first occasion, between May and September of 1952, Clarice writes the column \u201cEntre mulheres\u201d (Among [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/\" \/>\n<meta property=\"og:site_name\" content=\"Clarice Lispector\" \/>\n<meta property=\"article:published_time\" content=\"2018-06-12T03:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-12-04T17:37:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/as-tres-mulheres-de-clarice-scaled-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1822\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Bruno Cosentino\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bruno Cosentino\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/\"},\"author\":{\"name\":\"Bruno Cosentino\",\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/#\/schema\/person\/9b1f567463e919f007b85c81f58ab7d4\"},\"headline\":\"Clarice\u2019s three women\",\"datePublished\":\"2018-06-12T03:00:00+00:00\",\"dateModified\":\"2020-12-04T17:37:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/\"},\"wordCount\":443,\"publisher\":{\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/#organization\"},\"image\":{\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/site.claricelispector.ims.com.br\/wp-content\/uploads\/as-tres-mulheres-de-clarice-scaled-1.jpg\",\"articleSection\":[\"News\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/\",\"url\":\"https:\/\/site.claricelispector.ims.com.br\/2018\/06\/12\/as-tres-mulheres-de-clarice\/\",\"name\":\"Clarice\u2019s three women - 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