Celebrated in Argentina, New York, and Paris, Clarice\u2019s Hour 2016, organized by the Moreira Salles Institute, was divided last year between the themes of correspondence and translation.<\/p>\n\n\n\n
Clarice Lispector\u2019s oeuvre has been consolidated through recent translations into French, Spanish, Greek, and, above all, English. It is certainly true that the publication of all the stories in a single volume, The Complete Stories<\/em>, included in the New York Times <\/em>best books list,<\/em> provoked a new wave of interest and readers. The arduous and, at the same time, delicate transposition of Lispector\u2019s stories from Portuguese into English was the responsibility of Katrina Dodson \u2013 whose efforts were recognized with the Pen Translation Prize<\/em>.<\/p>\n\n\n\n A little more of the translation work could be appreciated on December 10, 2016, with a chat between Katrina Dodson and Paloma Vidal, a Brazilian poet and professor who translated and wrote the preface to Un soplo de vida<\/em> (Um sopro de vida\/A Breath of Life<\/em>) and La legi\u00f3n extranjera<\/em> (A legi\u00e3o estrangeira\/The Foreign Legion<\/em>), released by the Argentinian publisher Corregidor in 2010 and 2011.<\/p>\n\n\n\n In the second part of the celebration, Clarice\u2019s Hour turns its attention to the rich set of affectionate letters Clarice sent to her sisters, Tania Kaufman and Elisa Lispector, during the period in which she was living outside Brazil. From the selection of this set of more than 150 items under the care of the IMS and directed by Bruno Lara Resende, at 6:30 pm the actresses Georgiana G\u00f3es, Gisele Fr\u00f3es, and Raquel Iantas performed a reading of the letters \u2013 there are themes such as the difficulty of publishing her second novel, O lustre <\/em>(The Chandelier<\/em>), the marriage dynamic, the end of the Second World War, and the birth of her two sons, Pedro and Paulo.<\/p>\n\n\n\n Both events can be viewed with complete details available below:<\/p>\n\n\n\n