http:\/\/www.fotolog.com.br\/cleoskull\/62867569\/<\/a><\/p>\n\n\n\nIn times of social networks, there has been a migration, like it or not, from the usual and canonized place of artists, musicians, and authors. Readers, intellectuals, or just \u201cquoters\u201d \u2013 as is common when its concerns Clarice Lispector \u2013 are the main ones responsible for such a movement.<\/p>\n\n\n\n
According to a survey done by YouPIX in June 2012, Clarice is the most quoted writer on Twitter. Every day more than 3.5 thousand phrases by the author \u2013 or attributed to her \u2013 are posted on the microblog. With the small limit of 140 characters for each publication, there is not enough space to include a basic bibliographical reference. When there is an intention on the part of whoever posts the phrases, that is. And if whoever tells a short story adds a period, whoever quotes a phrase adds periods, commas, words, and plots with many errors. <\/p>\n\n\n\n
Even on the old Orkut site, there were almost 300 communities dedicated to Clarice Lispector, the biggest of them made up of 317,015 members. Now, on Facebook there are more than twenty apps; thirty pages, which have almost 600 thousand likes, with more than curious titles (originally in Portuguese), such as \u201cClarice on PMS,\u201d \u201cA Dose of Clarice Lispector,\u201d and \u201cAdvice from Clarice.\u201d Some of these pages quote passages from short stories or novels, while others join catch phrases (by Clarice or not) to photos of the author, which today can easily be found on Google, without due concern for copyrights either of the heirs or of the photographers. Not to mention the hundreds and hundreds of blogs in the depths of this Clarice universe. <\/p>\n\n\n\n
These numbers may frighten and dismay whoever values \u201cacademic exclusivity\u201d in (generally pejorative) opposition to that which belongs to the \u201cmasses,\u201d or that is at least popularly renowned. <\/p>\n\n\n\n
Clarice\u2019s numbers reveal that her texts do not respect geographical, cultural, or spatiotemporal boundaries, and have been kept very much alive through translations and reeditions, even 40 years after the writer\u2019s death. <\/p>\n\n\n\n
In these times of intense subjectivity, of liquid social ties, and of the collective need for realism \u2013 or for reality effects<\/em> \u2013 there are those who strictly associate literature and life; as if in reading there were an exaggerated projection of themselves, and by doing so, it were possible to expunge personal ghosts and neuroses. When, in fact, \u201cliterature only begins when a third person is born in us that strips us of the power to say \u2018I\u2019\u201d (Gilles Deleuze, Essays Critical and Clinical<\/em>).<\/p>\n\n\n\nAnd maybe that is the movement of reading, that of personal association, and not the popularization of works, which diminishes the real power and the permanent becoming<\/em> that exists in the writing of Clarice Lispector, by subverting her work into simple doses of self-help, into moral lessons, or into unstable predictions of some guru. <\/p>\n","protected":false},"excerpt":{"rendered":"\u201cFreedom isn\u2019t enough. What I desire doesn\u2019t have a name yet.\u201d Pop Art Clarice In: http:\/\/www.fotolog.com.br\/cleoskull\/62867569\/ In times of social networks, there has been a migration, like it or not, from the usual and canonized place of artists, musicians, and authors. Readers, intellectuals, or just \u201cquoters\u201d \u2013 as is common when its concerns Clarice Lispector \u2013 […]<\/p>\n","protected":false},"author":8,"featured_media":4842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[564],"tags":[813,814],"class_list":["post-4658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essays","tag-redes-sociais-en","tag-twitter-en"],"yoast_head":"\n
Clarice is pop - Clarice Lispector<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/site.claricelispector.ims.com.br\/2013\/02\/22\/clarice-e-pop\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clarice is pop - Clarice Lispector\" \/>\n<meta property=\"og:description\" content=\"\u201cFreedom isn\u2019t enough. What I desire doesn\u2019t have a name yet.\u201d Pop Art Clarice In: http:\/\/www.fotolog.com.br\/cleoskull\/62867569\/ In times of social networks, there has been a migration, like it or not, from the usual and canonized place of artists, musicians, and authors. 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