In this video lesson, Mell Brites, author of the book As Crianças de Clarice: Narrativas da Infância e Outras Revelações (The Children of Clarice: Narratives of Childhood and Other Revelations), addresses the theme of childhood in Clarice Lispector’s literature, both in her children’s books and in those aimed at an adult audience.
- Videos
- 23/01/2023
Clarice’s Childhood

See also

- Postagem
- In the collection
03/03/2017
A Wild Review of Near to the Wild Heart
by Elizama AlmeidaIt’s the end of 1943. A publishing house of little cultural relevance, A Noite, releases the exceptional Near to the Wild Heart, a book by a 22-year-old author and former employee of the publisher.

- Postagem
- Essays
01/04/2025
Clarice, Mistress
by Sônia RoncadorThe frequent allusion to domestic servants in the urban environment of her chronicles demonstrates what is a reality for many middle-class families in the country: incorporated into the intimate environment of the home in the condition of a “domesticated outsider”, the domestic servant constitutes the most lasting and personal relationship that a member of the middle class allows themselves to establish with poverty.

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- Essays
31/05/2013
Who was Mineirinho
by Elizama AlmeidaMineirinho, one of the Rio de Janeiro police’s most wanted criminals during the 1960s. José Miranda Rosa earned this nickname, naturally, for being born in the state of Minas Gerais.

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- News
12/06/2018
Clarice’s three women
by Bruno CosentinoCorreio para mulheres (Women’s Mail), edited by Aparecida Maria Nunes, includes texts by Clarice Lispector directed towards a female readership and written in three distinct moments in the writer’s career.

- Postagem
- Essays
13/02/2025
“In the Name of My Father”
by Bruno CosentinoClarice’s connection with politics does not take place on the surface of public life, or in the texts that directly address the issue. This is due to the writer’s understanding of the rift between art and politics, which is addressed in two related texts, “Literature and Justice” and “What I Would Like to Have Been,” in which she observes with disconcerting lucidity the uselessness of her literature as a political instrument.
