, Pens, Paper, and Records. IMS Clarice Lispector, 2014. Disponível em: https://site.claricelispector.ims.com.br/en/2014/07/22/caneta-papel-e-discos/. Acesso em: 29 March 2024.
Listening to music is not only a pleasurable activity but also an almost necessary task for those whose vocation it is to incorporate words – a mixture of sound and silence – as a way of illuminating existence. In the archives of Clarice Lispector, Otto Lara Resende, and Decio de Almeida Prado, there are several LPs that help us get to know a little about the musical taste of these three writers.
Clarice Lispector, for example, was explicit in relation to what music meant to her. In Água Viva, she confesses: “I see that I’ve never told you how I listen to music – I gently rest my hand on the record player and my hand vibrates, sending waves through my whole body: and so I listen to the electricity of the vibrations, the last substratum of reality’s realm, and the world trembles inside my hands.”
Covers from Clarice Lispector’s LPs: on the left, St. Matthew Passion, by J.S. Bach, performed by the Concertgebouw Orchestra of Amsterdam; on the right, The Complete String Quartets of Ludwig von Beethoven, performed by the Budapest String Quartet. Clarice Lispector Archive / IMS Collection
On the left, Jeanne D’Arc au bucher, by Arthur Honegger, performed by The Philadelphia Orchestra; on the right, Othello, by William Shakespeare, with Paul Robeson, José Ferrer, Uta Hagen, and Edith King. Clarice Lispector Archive / IMS Collection.
See also
by Elizama Almeida
The Complete Stories, a volume of short stories by Clarice Lispector edited by Benjamin Moser, was included on the prestigious list of 100 Best Books of 2015.
by Bruno Cosentino
Academic studies on Clarice Lispector continue to be developed at foreign universities. In 2017, a wide-ranging seminar about the author was held at the University of Oxford.
by Bruno Cosentino
In 2020, Clarice Lispector would turn 100 years old. A series of events has been scheduled to celebrate the occasion.
by Augusto Ferraz
I died. I found out when, one day, on the sidewalk of Praça Maciel Pinheiro, I lifted my head, opened my eyes, and saw myself dead, there on the plaza’s sidewalk, the two-story house on the other side of the street. My broken heart inside my chest, the two-story house on Rua do Aragão, 387, where, on the second floor, Clarice Lispector lived a happy childhood here in Recife, despite the pains of the world and experiencing and feeling, mainly, the pains of an implacable disease that would one day take Mania, her mother, away from her. I found out when, laid out on the sidewalk there under the scorching Sunday sun, I turned my head to the right and saw a man beside me, who was also looking at the house.
by Elizama Almeida
When we had no way of knowing that the hashtag
gratitude would be one of the terms referring to two
strong traits of the future...
by Bruno Cosentino
The traditional Parisian bookstore Shakespeare and Company placed on special display the English version of the book The Complete Stories, by Clarice Lispector.