, Pens, Paper, and Records. IMS Clarice Lispector, 2014. Disponível em: https://site.claricelispector.ims.com.br/en/2014/07/22/caneta-papel-e-discos/. Acesso em: 06 April 2025.
Listening to music is not only a pleasurable activity but also an almost necessary task for those whose vocation it is to incorporate words – a mixture of sound and silence – as a way of illuminating existence. In the archives of Clarice Lispector, Otto Lara Resende, and Decio de Almeida Prado, there are several LPs that help us get to know a little about the musical taste of these three writers.
Clarice Lispector, for example, was explicit in relation to what music meant to her. In Água Viva, she confesses: “I see that I’ve never told you how I listen to music – I gently rest my hand on the record player and my hand vibrates, sending waves through my whole body: and so I listen to the electricity of the vibrations, the last substratum of reality’s realm, and the world trembles inside my hands.”
Covers from Clarice Lispector’s LPs: on the left, St. Matthew Passion, by J.S. Bach, performed by the Concertgebouw Orchestra of Amsterdam; on the right, The Complete String Quartets of Ludwig von Beethoven, performed by the Budapest String Quartet. Clarice Lispector Archive / IMS Collection
On the left, Jeanne D’Arc au bucher, by Arthur Honegger, performed by The Philadelphia Orchestra; on the right, Othello, by William Shakespeare, with Paul Robeson, José Ferrer, Uta Hagen, and Edith King. Clarice Lispector Archive / IMS Collection.
See also
by Eucanaã Ferraz
The chronicles of Clarice Lispector were collected in a book for the first time in 1984, in The Discovery of the World, a volume edited by Paulo Gurgel Valente, the author’s son, who arranged in chronological order 468 texts published in the Jornal do Brasil between 1967 and 1973.
by Elizama Almeida
In partnership with the Department of Humanities at Columbia University, the IMS presents the international seminar The Clarice Factor: Aesthetics, Gender, and Diaspora in Brazil.
by Elizama Almeida
Ulysses was Clarice Lispector’s last dog, a mongrel who stole cigarette butts and queued for Coca-Cola and whiskey for visitors. He was so eccentric that he earned a robust note in the infamous periodical O Pasquim.
by Equipe IMS
The film Clarice's Days in Washington captures a very different and decisive moment in the life and work of the writer, when she lived in the American capital with her family, between 1952 and 1959. In addition to a significant number of unpublished photographs – which record her domestic environment and interactions with friends – there are precious images filmed during a public event, in which the writer, her husband Maury Gurgel Valente, their son Paulo, in addition to friends of the couple appear.
by Bruno Cosentino
This August, Todas as crônicas will be released, a volume that brings together for the first time all the chronicles written by Clarice Lispector for newspapers and magazines.
by Victor Heringer
Organized by Professor Claire Williams, the conference After Clarice: Lispector’s Legacy will gather the greatest experts of Clarice's work.
