Série Zoo. Fotografia de João Castilho, 2017.
, The thinking literature of Clarice Lispector, a class by Evando Nascimento. IMS Clarice Lispector, 2017. Disponível em: https://site.claricelispector.ims.com.br/en/2017/12/18/a-literatura-pensante-de-clarice-lispector-aula-de-evando-nascimento/. Acesso em: 24 April 2025.
The professor and writer Evando Nascimento gave a class on the work of Clarice Lispector at the IMS Rio. His talk is based on the category of “thinking literature,” which the author uses to describe Clarice’s work: “that which is narrated and the reflections associated with this fact are not opposed. One of the characteristics of the thinking literature of Clarice Lispector is to rethink binary pairs, or very rigid dichotomies,” he explains.
You can watch Evando Nascimento’s talk by clicking here.
*Zoo Series. Photo by João Castilho, 2017.
See also
by Yudith Rosenbaum
The word “unfamiliar” is used by Clarice Lispector in several of her works. To be precise, in the original Portuguese, Clarice employed the neologism infamiliar, which is not in the dictionary, though it cannot be affirmed that the author is the source of this term in Brazilian literature. Nonetheless, by mentioning the word “unfamiliar” at least sixteen times, whether in novels, short stories, or chronicles, the author makes this unique signifier an object of greater attention.
by Mariana Valente
Starting next May, the shelves of Brazilian bookstores will display copies of A mulher que matou os peixes (The Woman Who Killed the Fish) with a new look.
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
by Elizama Almeida
Working on a manual printer, João Cabral invites Clarice to debut “The Seamless Book,” his small publisher.
by Elizama Almeida
Every year the University of Tennessee prepares AuthorFest, a series of activities to celebrate the work of a single author. In its second edition, AuthorFest paid tribute to Clarice Lispector.
by Elizama Almeida
In February of 1977, Clarice visited the studios of TV Cultura and accepted the invitation to be interviewed by the journalist Júlio Lerner, host of the program “Panorama Especial”
