Série Zoo. Fotografia de João Castilho, 2017.
, The thinking literature of Clarice Lispector, a class by Evando Nascimento. IMS Clarice Lispector, 2017. Disponível em: https://site.claricelispector.ims.com.br/en/2017/12/18/a-literatura-pensante-de-clarice-lispector-aula-de-evando-nascimento/. Acesso em: 07 June 2026.
The professor and writer Evando Nascimento gave a class on the work of Clarice Lispector at the IMS Rio. His talk is based on the category of “thinking literature,” which the author uses to describe Clarice’s work: “that which is narrated and the reflections associated with this fact are not opposed. One of the characteristics of the thinking literature of Clarice Lispector is to rethink binary pairs, or very rigid dichotomies,” he explains.
You can watch Evando Nascimento’s talk by clicking here.
*Zoo Series. Photo by João Castilho, 2017.
See also
by Paulo Gurgel Valente
I believe that Clarice and I shared a common feeling: objects are not inanimate, on the contrary, they have a secret life. I do not know if the reader has already tried turning off the lights at night in your room and, little by little, noticed that your eyes adapt to the dark and finally you can perceive the living presence of things.
by Bruno Cosentino
In 2020, Clarice Lispector would turn 100 years old. A series of events has been scheduled to celebrate the occasion.
by Marco Antonio Notaroberto
The following text began with research on the correspondence between Clarice Lispector and her sisters Tania Kauffman and Elisa Lispector, under the care of the IMS.
by Bruno Cosentino
In the interviews done by Clarice there is a sort of unsuitableness for the job with respect to journalistic technique. With Vinicius de Moraes, her first approach sounds like a provocation: “Vinicius, have you really ever loved anyone in life?”
by Elizama Almeida
In 1970, Clarice Lispector started to write a work that would come to be called Água Viva. Published at the end of August 1973 by Artenova, what follows is a manuscript.
by Bruno Cosentino
For the journalist Laura Freitas, Clarice’s female characters hide the germ of nonconformity – “the women are wild,” she affirms.
