The Spanish writer and critic Jorge Carrión recently published in The New York Times an essay about the life and work of Clarice Lispector (“La pasión según Clarice Lispector”). Starting from a reading of Por qué este mundo, the biography of Clarice written by Benjamin Moser and recently released in Spanish translation by the Siruela publishing house, the author addresses broader issues related to Clarice’s work:
“She did not like interviews and fiction – in her case – is much more important, incisive, and eloquent than nonfiction. By reading her novels and short stories, one might conclude that she is a hermetic author, close to mysticism. However, I believe, on the contrary, that she is an absolutely contemporary artist, who resolved in her work one of the great literary problems of our time: how to write, with abstract ambition, mental landscapes with figurative language.”
That is, for Carrión, Clarice’s work is “corporeal, totally vital, and bloody,” although it is curdled with metaphors and mysteries. This characteristic brings her prose closer to poetry, according to the critic. That is why, perhaps, she wrote as if it were to save someone’s life, perhaps her own, as she said in A Breath of Life.Read Carrión’s essay, in Spanish, by clicking here.
See also
by Elizama Almeida
In 1970, Clarice Lispector started to write a work that would come to be called Água Viva. Published at the end of August 1973 by Artenova, what follows is a manuscript.
by Elizama Almeida
A little known concept in Portuguese, unediting is less a theory and more a practical way to support complex publishing cases, such as the publication of A Breath of Life, a posthumous novel by Clarice Lispector organized by Olga Borelli. The aim of unediting is to undo the illusion of transparency that the ready, finished, and linear book, with a minimally stabilized narrative, conveys to readers.
by Elizama Almeida
The Complete Stories, a volume of short stories by Clarice Lispector edited by Benjamin Moser, was included on the prestigious list of 100 Best Books of 2015.
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
by Elizama Almeida
It’s the end of 1943. A publishing house of little cultural relevance, A Noite, releases the exceptional Near to the Wild Heart, a book by a 22-year-old author and former employee of the publisher.
by Bruno Cosentino
The critic José Castello will teach new classes for Grupo Clarice, a group dedicated to the reading and study of the works of Clarice Lispector. Among the works discussed are...