The Spanish writer and critic Jorge Carrión recently published in The New York Times an essay about the life and work of Clarice Lispector (“La pasión según Clarice Lispector”). Starting from a reading of Por qué este mundo, the biography of Clarice written by Benjamin Moser and recently released in Spanish translation by the Siruela publishing house, the author addresses broader issues related to Clarice’s work:
“She did not like interviews and fiction – in her case – is much more important, incisive, and eloquent than nonfiction. By reading her novels and short stories, one might conclude that she is a hermetic author, close to mysticism. However, I believe, on the contrary, that she is an absolutely contemporary artist, who resolved in her work one of the great literary problems of our time: how to write, with abstract ambition, mental landscapes with figurative language.”
That is, for Carrión, Clarice’s work is “corporeal, totally vital, and bloody,” although it is curdled with metaphors and mysteries. This characteristic brings her prose closer to poetry, according to the critic. That is why, perhaps, she wrote as if it were to save someone’s life, perhaps her own, as she said in A Breath of Life.Read Carrión’s essay, in Spanish, by clicking here.
See also
by Bruno Cosentino
For the journalist Laura Freitas, Clarice’s female characters hide the germ of nonconformity – “the women are wild,” she affirms.
by Bruno Cosentino
Clarice’s connection with politics does not take place on the surface of public life, or in the texts that directly address the issue. This is due to the writer’s understanding of the rift between art and politics, which is addressed in two related texts, “Literature and Justice” and “What I Would Like to Have Been,” in which she observes with disconcerting lucidity the uselessness of her literature as a political instrument.
by Paulo Gurgel Valente
I believe that Clarice and I shared a common feeling: objects are not inanimate, on the contrary, they have a secret life. I do not know if the reader has already tried turning off the lights at night in your room and, little by little, noticed that your eyes adapt to the dark and finally you can perceive the living presence of things.
by Equipe IMS
The Brazil LAB is an interdisciplinary initiative at Princeton University that considers Brazil to be a crucial nexus for us to understand today’s most pressing issues. Based at PIIRS (Princeton Institute of International and Regional Studies), the LAB brings together professors, researchers, and students from more than 20 different university departments (from the social to the natural sciences, from engineering to the arts and humanities) in interaction with dozens of researchers from academic institutions of excellence.
by Victor Heringer
Written by Benjamin Moser, Clarice Lispector’s biography Why This World (Oxford University Press, 2009) continues to circulate around the world.
by Elizama Almeida
At the 35th edition of the Paris Book Fair, Brazil was the country of honor. The program was marked by an exhibition dedicated to Clarice Lispector at Éditions des Femmes,