By launching in 2015, in the United States, the unprecedented collection in one book of all the short stories by Clarice Lispector, the researcher Benjamin Moser took a new step in his tireless task of disseminating abroad the work of the Brazilian writer, who deserved a beautiful and acclaimed biography. The Complete Stories (New Directions Publishing) won over audiences and critics, and was elected by The New York Times as one of the 100 best books published that year. In 2016, Rocco, Clarice’s publishing house, to the delight of numerous fans, launched the Brazilian edition of the work, entitled Todos os contos. Now, on this 19th of October, the collection of 85 texts – which begins with her first story published at the age of 19 – crosses a new frontier, reaching French bookstores under the title Nouvelles – Édition Complete, published by Des Femmes-Antoinette Fouque.
The edition – eight translators made the French version based on Brazilian texts – helps to further consolidate Clarice’s presence in France, a country that already has many admirers of the author’s work, disseminated mainly by the essayist and literary critic Hélène Cixous. An attraction for French readers is that ten of these stories were still unpublished there. And as further proof that the passion only increases, this year France will promote Clarice’s Hour, an event created by the Moreira Salles Institute to celebrate the writer’s birthday, on December 10th.
See also
by João Camillo Penna
The work of Clarice Lispector revolves around on two notions: the symbol and the thing. The thing, physics, and the symbol, metaphysics; the thing, immanence, and the symbol, transcendence; the thing, the body, and the symbol, language; the thing, existence, and the symbol, the saying; the thing, the event, and the symbol, the way to make it possible to read the nonsymbolizable thing.
by Elizama Almeida
Every year the University of Tennessee prepares AuthorFest, a series of activities to celebrate the work of a single author. In its second edition, AuthorFest paid tribute to Clarice Lispector.
by Eliane Robert Moraes
Darkness is a hollow word and one never really knows what fits inside Its dimensions are so undetermined that perhaps it could even be said that everything fits and nothing fits in it, since, being an immense storehouse of paradoxes, the ambiguous quality of immeasurable is immediately added to the primordial void that characterizes it. These attributes, thus agreed, gain particular density when prepared by the wrought of the author of The Apple in the Dark.
by Equipe IMS
In the 2025 edition of Clarice’s Hour, we will celebrate, through the voices and presentations of kids, the children's story “Laura’s Intimate Life,” published as a book by Clarice Lispector in 1974. In this film, six children retell, act, illustrate, and co-direct the story of Laura the hen, her husband Luís, and their son Hermany in Dona Luísa's henhouse.
by Mariana Valente
Starting next May, the shelves of Brazilian bookstores will display copies of A mulher que matou os peixes (The Woman Who Killed the Fish) with a new look.
by Paulo Gurgel Valente
I believe that Clarice and I shared a common feeling: objects are not inanimate, on the contrary, they have a secret life. I do not know if the reader has already tried turning off the lights at night in your room and, little by little, noticed that your eyes adapt to the dark and finally you can perceive the living presence of things.
