, Clarice in France. IMS Clarice Lispector, 2017. Disponível em: https://site.claricelispector.ims.com.br/en/2017/10/19/clarice-na-franca/. Acesso em: 10 December 2024.
By launching in 2015, in the United States, the unprecedented collection in one book of all the short stories by Clarice Lispector, the researcher Benjamin Moser took a new step in his tireless task of disseminating abroad the work of the Brazilian writer, who deserved a beautiful and acclaimed biography. The Complete Stories (New Directions Publishing) won over audiences and critics, and was elected by The New York Times as one of the 100 best books published that year. In 2016, Rocco, Clarice’s publishing house, to the delight of numerous fans, launched the Brazilian edition of the work, entitled Todos os contos. Now, on this 19th of October, the collection of 85 texts – which begins with her first story published at the age of 19 – crosses a new frontier, reaching French bookstores under the title Nouvelles – Édition Complete, published by Des Femmes-Antoinette Fouque.
The edition – eight translators made the French version based on Brazilian texts – helps to further consolidate Clarice’s presence in France, a country that already has many admirers of the author’s work, disseminated mainly by the essayist and literary critic Hélène Cixous. An attraction for French readers is that ten of these stories were still unpublished there. And as further proof that the passion only increases, this year France will promote Clarice’s Hour, an event created by the Moreira Salles Institute to celebrate the writer’s birthday, on December 10th.
See also
by João Camillo Penna
The work of Clarice Lispector revolves around on two notions: the symbol and the thing. The thing, physics, and the symbol, metaphysics; the thing, immanence, and the symbol, transcendence; the thing, the body, and the symbol, language; the thing, existence, and the symbol, the saying; the thing, the event, and the symbol, the way to make it possible to read the nonsymbolizable thing.
by Patrick Gert Bange
In a small, vast, and brilliant book called Three Steps on the Ladder of Writing, by Hélène Cixous (1993), the author is taken to three schools by writers that she loves: the School of the Dead, the School of Dreams, and the School of Roots. One of the books that transport Cixous to the School of Dreams is Clarice Lispector’s second published novel, The Chandelier.
by Elizama Almeida
by Cicero Cunha Bezerra
Michel de Certeau, in his La fable mystique, addresses an important aspect in the relation between idiocy and holiness in the first centuries, particularly in Christian literature, namely: a mode of isolation in the crowd. Idiocy, in the form of madness, is attributed to the crowd, and additionally, is established as a provocation, a transgression in the field of the “right-minded.”
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
by Bruno Cosentino
Correio para mulheres (Women’s Mail), edited by Aparecida Maria Nunes, includes texts by Clarice Lispector directed towards a female readership and written in three distinct moments in the writer’s career.
