By launching in 2015, in the United States, the unprecedented collection in one book of all the short stories by Clarice Lispector, the researcher Benjamin Moser took a new step in his tireless task of disseminating abroad the work of the Brazilian writer, who deserved a beautiful and acclaimed biography. The Complete Stories (New Directions Publishing) won over audiences and critics, and was elected by The New York Times as one of the 100 best books published that year. In 2016, Rocco, Clarice’s publishing house, to the delight of numerous fans, launched the Brazilian edition of the work, entitled Todos os contos. Now, on this 19th of October, the collection of 85 texts – which begins with her first story published at the age of 19 – crosses a new frontier, reaching French bookstores under the title Nouvelles – Édition Complete, published by Des Femmes-Antoinette Fouque.
The edition – eight translators made the French version based on Brazilian texts – helps to further consolidate Clarice’s presence in France, a country that already has many admirers of the author’s work, disseminated mainly by the essayist and literary critic Hélène Cixous. An attraction for French readers is that ten of these stories were still unpublished there. And as further proof that the passion only increases, this year France will promote Clarice’s Hour, an event created by the Moreira Salles Institute to celebrate the writer’s birthday, on December 10th.
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by Antonio Xerxenesky
Clarice left various papers with drafts to calculate responses provided by the I Ching. Some of the questions are scribbled, such as “What’s my future in general?”
by Maria Clara Bingemer
The numerous commentators who not only in Brazil but also throughout the world investigate Clarice Lispector’s work encounter several aspects to highlight in her multifaceted writing.1 From the fruitful tension between transcendence and contingence to the profound and refined attention to the human condition, one can encounter an immense variety of dimensions in her body of writings.
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
by Mariana Valente
Starting next May, the shelves of Brazilian bookstores will display copies of A mulher que matou os peixes (The Woman Who Killed the Fish) with a new look.
by Alexandre Nodari
It has become commonplace to say that Clarice Lispector’s writing seeks to overcome the limits of language which the author names “it,” “nucleus,” “thing,” “unsayable,” “silence.”
by Elizama Almeida
Every year the University of Tennessee prepares AuthorFest, a series of activities to celebrate the work of a single author. In its second edition, AuthorFest paid tribute to Clarice Lispector.
