By launching in 2015, in the United States, the unprecedented collection in one book of all the short stories by Clarice Lispector, the researcher Benjamin Moser took a new step in his tireless task of disseminating abroad the work of the Brazilian writer, who deserved a beautiful and acclaimed biography. The Complete Stories (New Directions Publishing) won over audiences and critics, and was elected by The New York Times as one of the 100 best books published that year. In 2016, Rocco, Clarice’s publishing house, to the delight of numerous fans, launched the Brazilian edition of the work, entitled Todos os contos. Now, on this 19th of October, the collection of 85 texts – which begins with her first story published at the age of 19 – crosses a new frontier, reaching French bookstores under the title Nouvelles – Édition Complete, published by Des Femmes-Antoinette Fouque.
The edition – eight translators made the French version based on Brazilian texts – helps to further consolidate Clarice’s presence in France, a country that already has many admirers of the author’s work, disseminated mainly by the essayist and literary critic Hélène Cixous. An attraction for French readers is that ten of these stories were still unpublished there. And as further proof that the passion only increases, this year France will promote Clarice’s Hour, an event created by the Moreira Salles Institute to celebrate the writer’s birthday, on December 10th.
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by Eliane Robert Moraes
Darkness is a hollow word and one never really knows what fits inside Its dimensions are so undetermined that perhaps it could even be said that everything fits and nothing fits in it, since, being an immense storehouse of paradoxes, the ambiguous quality of immeasurable is immediately added to the primordial void that characterizes it. These attributes, thus agreed, gain particular density when prepared by the wrought of the author of The Apple in the Dark.
by Mell Brites
More or less fantastic in their plots, these children’s stories reveal narrators who, stripped almost completely of their fictional character, are very similar to the author: they are mothers, writers, they go by the initials “C.L.,” or even say their name is Clarice. Thus, if there is a horizontal posture in these narrators in which respect for the particularities of childhood is presupposed, this same movement also shows the desire to become a little more like a child.
by Bruno Cosentino
The critic José Castello will teach new classes for Grupo Clarice, a group dedicated to the reading and study of the works of Clarice Lispector. Among the works discussed are...
by Antonio Ladeira
[...] throughout all of Clarice’s work there is a dazzling – almost primordial, inaugural, Edenic – vision of gender, of the man-woman division. One notes a frightened fascination that there is a male-animal-man in the world, as we read, for example, in the short story “The Buffalo,” and also in another story about phantasmic and monstrous masculinity titled “The Dinner”.
by Elizama Almeida
In February of 1977, Clarice visited the studios of TV Cultura and accepted the invitation to be interviewed by the journalist Júlio Lerner, host of the program “Panorama Especial”
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
