In the 1960s, the Spaniard Jaime Vilaseca was a carpenter in Rio de Janeiro until a fateful encounter with Clarice Lispector, for whom he had gone to make a bookcase in her apartment in the Leme neighborhood. The writer had silently watched him working during those days, and when the furniture was finished, she looked at him and said: “You’re going to be a framer.” Faced with the man’s hesitation, she completed the prediction: “You won’t escape your destiny!” Since then, for over fifty years, Jaime Vilaseca has lived off this profession, for which he is renowned, besides having become a curator and owner of an art gallery. In this conversation with the poet Eucanaã Ferraz, the framer talks about his friendship with Clarice Lispector and tells his stories that served as a source of inspiration for texts by the writer, such as the famous short story “The First Kiss,” from the book Covert Joy.
- Uncategorized
- 16/09/2021
A frame for Clarice Lispector

See also

- Postagem
- In the collection
03/03/2017
A Wild Review of Near to the Wild Heart
by Elizama AlmeidaIt’s the end of 1943. A publishing house of little cultural relevance, A Noite, releases the exceptional Near to the Wild Heart, a book by a 22-year-old author and former employee of the publisher.

- Postagem
- Essays
31/05/2013
Who was Mineirinho
by Elizama AlmeidaMineirinho, one of the Rio de Janeiro police’s most wanted criminals during the 1960s. José Miranda Rosa earned this nickname, naturally, for being born in the state of Minas Gerais.

- Postagem
- News
13/01/2022
Clarice Lispector’s New Website Receives an Award
by Equipe IMSLast December, Clarice Lispector’s new website, launched on the author’s centenary, on December 10, 2020, earned second place in the Best Digital Design category of the Brasil Design Award.

- Postagem
- Essays
30/10/2017
Clarice and Lucrécia in Bern
by Marco Antonio NotarobertoThe following text began with research on the correspondence between Clarice Lispector and her sisters Tania Kauffman and Elisa Lispector, under the care of the IMS.

- Postagem
- Statement
29/05/2025
Always Roses for Clarice
by Marina ColasantiThe day I met Clarice was not the same day she met me. I was all adoration, observing her. She had no reason to even lay eyes on me. Leaving the Jornal do Brasil newsroom together, the journalist Yllen Kerr, a great friend of mine, said he was going to visit Clarice and asked if I wanted to go. Did I ever!

- Postagem
- Essays
22/02/2024
The Unfamiliar
by Yudith RosenbaumThe word “unfamiliar” is used by Clarice Lispector in several of her works. To be precise, in the original Portuguese, Clarice employed the neologism infamiliar, which is not in the dictionary, though it cannot be affirmed that the author is the source of this term in Brazilian literature. Nonetheless, by mentioning the word “unfamiliar” at least sixteen times, whether in novels, short stories, or chronicles, the author makes this unique signifier an object of greater attention.