Posts

Uncategorized

  • Postagem
  • 29/06/2022

In Search of Clarice Lispector: The Biographical Challenge of Teresa Montero

by Matildes Demetrio dos Santos

In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.

  • Postagem
  • Essays
  • 25/05/2022

Olímpico: The Last Man Will Be the First

by Antonio Ladeira

[...] throughout all of Clarice’s work there is a dazzling – almost primordial, inaugural, Edenic – vision of gender, of the man-woman division.  One notes a frightened fascination that there is a male-animal-man in the world, as we read, for example, in the short story “The Buffalo,” and also in another story about phantasmic and monstrous masculinity titled “The Dinner”.

  • Postagem
  • News
  • 13/01/2022

Clarice Lispector’s New Website Receives an Award

by Equipe IMS

Last December, Clarice Lispector’s new website, launched on the author’s centenary, on December 10, 2020, earned second place in the Best Digital Design category of the Brasil Design Award.

  • Postagem
  • 12/01/2022

Idiocy and Holiness

by Cicero Cunha Bezerra

Michel de Certeau, in his La fable mystique, addresses an important aspect in the relation between idiocy and holiness in the first centuries, particularly in Christian literature, namely: a mode of isolation in the crowd. Idiocy, in the form of madness, is attributed to the crowd, and additionally, is established as a provocation, a transgression in the field of the “right-minded.”

  • Postagem
  • Clarice’s hour
  • 01/12/2021

Fragments of Stars

by Bruno Cosentino

The writer Ana Maria Machado had an unusual and emotional episode with Clarice Lispector. This happened in 1975. After having read an article by Ana Maria, published that very day in the Jornal do Brasil, about the birthday of the writer Roland Barthes, Clarice, who did not know her personally, insistently asked her for help to organize what in two years would be the book The Hour of the Star. 

  • Postagem
  • Chronicles
  • 11/11/2021

At Home With Clarice

by Paulo Gurgel Valente

I believe that Clarice and I shared a common feeling: objects are not inanimate, on the contrary, they have a secret life. I do not know if the reader has already tried turning off the lights at night in your room and, little by little, noticed that your eyes adapt to the dark and finally you can perceive the living presence of things.

  • Postagem
  • Essays
  • 14/10/2021

The Symbol and the Thing

by João Camillo Penna

The work of Clarice Lispector revolves around on two notions: the symbol and the thing. The thing, physics, and the symbol, metaphysics; the thing, immanence, and the symbol, transcendence; the thing, the body, and the symbol, language; the thing, existence, and the symbol, the saying; the thing, the event, and the symbol, the way to make it possible to read the nonsymbolizable thing.

  • Postagem
  • News
  • 16/09/2021

A frame for Clarice Lispector

by Bruno Cosentino

In the 1960s, the Spaniard Jaime Vilaseca was a carpenter in Rio de Janeiro until a fateful encounter with Clarice Lispector, for whom he had gone to make a bookcase in her apartment in the Leme neighborhood.

  • Postagem
  • 08/07/2021

Between Mystery and Politics

by Maria Clara Bingemer

The numerous commentators who not only in Brazil but also throughout the world investigate Clarice Lispector’s work encounter several aspects to highlight in her multifaceted writing.1 From the fruitful tension between transcendence and contingence to the profound and refined attention to the human condition, one can encounter an immense variety of dimensions in her body of writings.

  • Postagem
  • 14/04/2021

Meaning is a Breath: Images in Clarice Lispector

by Lilian Hack

That was the first sensation which I had when I saw Clarice’s paintings: my whole body shivered in a flush that was shared with these two women who worked every day at the archive. A kind of slip, a discomposure, a “human dismantling.” As Clarice wrote, “She needs to move her whole boneless head to look at an object.”