, The New York Times Book Review. IMS Clarice Lispector, 2015. Disponível em: https://site.claricelispector.ims.com.br/en/2015/12/01/entre-os-100-melhores-da-the-new-yorker-book-review/. Acesso em: 05 December 2025.
The year’s season of retrospectives is now open, and one of the most respected in the literary circuit – the traditional list of 100 Notable Books of 2015, selected by the editors of The New York Times Book Review – has included among the highlights for Fiction and Poetry the title The Complete Stories, a volume of short stories by Clarice Lispector edited by Benjamin Moser and published by the New York publishing house New Directions. The book is expected to be released in Portuguese in 2016 by Rocco.
Katrina Dodson, translator of the more than 80 stories in Complete Stories, spoke with the IMS Blog about her relation with Lispector’s literature, the difficulties she encountered in translating her work, and comparisons with writers such as Kafka, Machado de Assis, and Virginia Woolf.
See also
by Paloma Vidal
A chronicle of the encounter with the manuscripts of The Hour of the Star by Paloma Vidal for the new edition of the novella.
by Rafael Juliao
“I wanted to announce the following: the person I love most in life is named Clarice Lispector.” This affirmation was made by Cazuza.
by Bruno Cosentino
For the journalist Laura Freitas, Clarice’s female characters hide the germ of nonconformity – “the women are wild,” she affirms.
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
by Cicero Cunha Bezerra
Michel de Certeau, in his La fable mystique, addresses an important aspect in the relation between idiocy and holiness in the first centuries, particularly in Christian literature, namely: a mode of isolation in the crowd. Idiocy, in the form of madness, is attributed to the crowd, and additionally, is established as a provocation, a transgression in the field of the “right-minded.”
by Elizama Almeida
In partnership with the Department of Humanities at Columbia University, the IMS presents the international seminar The Clarice Factor: Aesthetics, Gender, and Diaspora in Brazil.
