, Clarice Lispector at the Buenos Aires Book Fair. IMS Clarice Lispector, 2018. Disponível em: https://site.claricelispector.ims.com.br/en/2018/04/19/clarice-lispector-na-feira-do-livro-de-buenos-aires/. Acesso em: 25 February 2026.
Clarice Lispector will be honored at the Brazil booth at the 44th Buenos Aires International Book Fair, which will take place between April 24 and May 14.
The project entails a multi-language exhibition about the Brazilian writer composed of a large poster board with her image, biography, and fragments of her work; books for sale in Portuguese and Spanish editions; video projections with interviews about her; and a replica of her statue, the original of which is located at Leme Beach, in Rio de Janeiro, where visitors can take photos.
On May 5, a day dedicated to Brazil, the booth will also hold a reading of dialogues by the author, read by five Argentinian actors, followed by a performance of her texts by the actress Luísa Kuliok in an auditorium for up to a thousand people.
*Photo: Unknown photographer/ Clarice Lispector Archive/ IMS
See also
by Elizama Almeida
A conversation about football and literature between Armando Nogueira and Clarice Lispector
by Elizama Almeida
According to a survey done by YouPIX in June 2012, Clarice is the most quoted writer on Twitter. Every day more than 3.5 thousand phrases by the author – or attributed to her – are posted on there.
by Matildes Demetrio dos Santos
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
by Bruno Cosentino
Clarice’s connection with politics does not take place on the surface of public life, or in the texts that directly address the issue. This is due to the writer’s understanding of the rift between art and politics, which is addressed in two related texts, “Literature and Justice” and “What I Would Like to Have Been,” in which she observes with disconcerting lucidity the uselessness of her literature as a political instrument.
by Equipe IMS
by Lilian Hack
That was the first sensation which I had when I saw Clarice’s paintings: my whole body shivered in a flush that was shared with these two women who worked every day at the archive. A kind of slip, a discomposure, a “human dismantling.” As Clarice wrote, “She needs to move her whole boneless head to look at an object.”
