IMS, Equipe. Ulisses Lispector: A Portrait. IMS Clarice Lispector, 2023. Disponível em: https://site.claricelispector.ims.com.br/en/2023/04/26/ulisses-lispector-a-portrait/. Acesso em: 17 March 2026.
The film portrays the famous Ulisses, Clarice Lispector’s dog and a prominent character in her life and fiction.
He is present in the posthumous novel A Breath of Life, he is the narrator of the children’s book Quase de verdade (Almost True), he was mentioned in countless chronicles, and today he is immortalized, alongside his owner, in a bronze statue at Leme Beach, in Rio de Janeiro.
Ulisses was also photographed smoking cigarette butts during Clarice’s interview with the weekly O Pasquim, whose behind-the-scenes is told in detail by the editor Sérgio Augusto, who at the time participated in the meeting, which took place at the writer’s apartment.
About the main character, other themes are also addressed, such as Clarice’s intimate relationship with the irrational nature of animals and autofictional writing, as well as an analysis by the writer Evando Nascimento of the short story “The Crime of the Mathematics Teacher.”
See also
by Augusto Ferraz
I died. I found out when, one day, on the sidewalk of Praça Maciel Pinheiro, I lifted my head, opened my eyes, and saw myself dead, there on the plaza’s sidewalk, the two-story house on the other side of the street. My broken heart inside my chest, the two-story house on Rua do Aragão, 387, where, on the second floor, Clarice Lispector lived a happy childhood here in Recife, despite the pains of the world and experiencing and feeling, mainly, the pains of an implacable disease that would one day take Mania, her mother, away from her. I found out when, laid out on the sidewalk there under the scorching Sunday sun, I turned my head to the right and saw a man beside me, who was also looking at the house.
by João Camillo Penna
The work of Clarice Lispector revolves around on two notions: the symbol and the thing. The thing, physics, and the symbol, metaphysics; the thing, immanence, and the symbol, transcendence; the thing, the body, and the symbol, language; the thing, existence, and the symbol, the saying; the thing, the event, and the symbol, the way to make it possible to read the nonsymbolizable thing.
by Alexandre Nodari
It has become commonplace to say that Clarice Lispector’s writing seeks to overcome the limits of language which the author names “it,” “nucleus,” “thing,” “unsayable,” “silence.”
by Antonio Ladeira
[...] throughout all of Clarice’s work there is a dazzling – almost primordial, inaugural, Edenic – vision of gender, of the man-woman division. One notes a frightened fascination that there is a male-animal-man in the world, as we read, for example, in the short story “The Buffalo,” and also in another story about phantasmic and monstrous masculinity titled “The Dinner”.
by Victor Heringer
Clarice Lispector’s birthday was last Sunday, December 10, but the “Clarice’s Hour” celebrations continue in Brazil and abroad.
by Betty Bernardo Fuks
Benjamin Moser, one of the most significant biographers of Clarice Lispector, said in an interview that one of his goals in writing Why This World, published in the United States and translated into Portuguese as Clarice, uma biografia, was to make space for a theme rarely explored by literary critics, commentators, and biographers: the writer’s “Judeity.” Most tend to limit themselves to reflecting on her “Brazilianness,” “as if one had to choose between being Jewish and being Brazilian.”
