IMS, Equipe. Ulisses Lispector: A Portrait. IMS Clarice Lispector, 2023. Disponível em: https://site.claricelispector.ims.com.br/en/2023/04/26/ulisses-lispector-a-portrait/. Acesso em: 14 July 2025.
The film portrays the famous Ulisses, Clarice Lispector’s dog and a prominent character in her life and fiction.
He is present in the posthumous novel A Breath of Life, he is the narrator of the children’s book Quase de verdade (Almost True), he was mentioned in countless chronicles, and today he is immortalized, alongside his owner, in a bronze statue at Leme Beach, in Rio de Janeiro.
Ulisses was also photographed smoking cigarette butts during Clarice’s interview with the weekly O Pasquim, whose behind-the-scenes is told in detail by the editor Sérgio Augusto, who at the time participated in the meeting, which took place at the writer’s apartment.
About the main character, other themes are also addressed, such as Clarice’s intimate relationship with the irrational nature of animals and autofictional writing, as well as an analysis by the writer Evando Nascimento of the short story “The Crime of the Mathematics Teacher.”
See also
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In this year in which we commemorate The Hour of the Star, the entry of Clarice Lispector and her alter ego (one of many), Macabéa, into her “própria profundeza
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A chronicle of the encounter with the manuscripts of The Hour of the Star by Paloma Vidal for the new edition of the novella.
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It would be possible to say that Clarice Lispector’s finesse recalls that of Virginia Woolf – which actually seems to be her strongest influence. But what most surprises and captivates me in Clarice’s short stories...
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Working on a manual printer, João Cabral invites Clarice to debut “The Seamless Book,” his small publisher.
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The critic José Castello will teach new classes for Grupo Clarice, a group dedicated to the reading and study of the works of Clarice Lispector. Among the works discussed are...
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The word “unfamiliar” is used by Clarice Lispector in several of her works. To be precise, in the original Portuguese, Clarice employed the neologism infamiliar, which is not in the dictionary, though it cannot be affirmed that the author is the source of this term in Brazilian literature. Nonetheless, by mentioning the word “unfamiliar” at least sixteen times, whether in novels, short stories, or chronicles, the author makes this unique signifier an object of greater attention.
