The film portrays the famous Ulisses, Clarice Lispector’s dog and a prominent character in her life and fiction.
He is present in the posthumous novel A Breath of Life, he is the narrator of the children’s book Quase de verdade (Almost True), he was mentioned in countless chronicles, and today he is immortalized, alongside his owner, in a bronze statue at Leme Beach, in Rio de Janeiro.
Ulisses was also photographed smoking cigarette butts during Clarice’s interview with the weekly O Pasquim, whose behind-the-scenes is told in detail by the editor Sérgio Augusto, who at the time participated in the meeting, which took place at the writer’s apartment.
About the main character, other themes are also addressed, such as Clarice’s intimate relationship with the irrational nature of animals and autofictional writing, as well as an analysis by the writer Evando Nascimento of the short story “The Crime of the Mathematics Teacher.”
See also
by Rubem Braga
It would be possible to say that Clarice Lispector’s finesse recalls that of Virginia Woolf – which actually seems to be her strongest influence. But what most surprises and captivates me in Clarice’s short stories...
by Alexandre Nodari
It has become commonplace to say that Clarice Lispector’s writing seeks to overcome the limits of language which the author names “it,” “nucleus,” “thing,” “unsayable,” “silence.”
by Bruno Cosentino
Caetano Veloso says that when he showed the acoustic version of his song “Odeio” (I hate), which would be included on the Cê album, to his friend and composer Jorge Mautner, the latter cried and told him that it was the most beautiful love song that he had ever heard.
by Paulo Gurgel Valente
I believe that Clarice and I shared a common feeling: objects are not inanimate, on the contrary, they have a secret life. I do not know if the reader has already tried turning off the lights at night in your room and, little by little, noticed that your eyes adapt to the dark and finally you can perceive the living presence of things.
by Mariana Valente
Starting next May, the shelves of Brazilian bookstores will display copies of A mulher que matou os peixes (The Woman Who Killed the Fish) with a new look.
by Jorge Carrion
The Spanish writer and critic Jorge Carrión recently published, in The New York Times, an essay about the life and work of Clarice Lispector.
