, Pens, Paper, and Records. IMS Clarice Lispector, 2014. Disponível em: https://site.claricelispector.ims.com.br/en/2014/07/22/caneta-papel-e-discos/. Acesso em: 09 April 2025.
Listening to music is not only a pleasurable activity but also an almost necessary task for those whose vocation it is to incorporate words – a mixture of sound and silence – as a way of illuminating existence. In the archives of Clarice Lispector, Otto Lara Resende, and Decio de Almeida Prado, there are several LPs that help us get to know a little about the musical taste of these three writers.
Clarice Lispector, for example, was explicit in relation to what music meant to her. In Água Viva, she confesses: “I see that I’ve never told you how I listen to music – I gently rest my hand on the record player and my hand vibrates, sending waves through my whole body: and so I listen to the electricity of the vibrations, the last substratum of reality’s realm, and the world trembles inside my hands.”
Covers from Clarice Lispector’s LPs: on the left, St. Matthew Passion, by J.S. Bach, performed by the Concertgebouw Orchestra of Amsterdam; on the right, The Complete String Quartets of Ludwig von Beethoven, performed by the Budapest String Quartet. Clarice Lispector Archive / IMS Collection
On the left, Jeanne D’Arc au bucher, by Arthur Honegger, performed by The Philadelphia Orchestra; on the right, Othello, by William Shakespeare, with Paul Robeson, José Ferrer, Uta Hagen, and Edith King. Clarice Lispector Archive / IMS Collection.
See also
by Equipe IMS
The film portrays the famous Ulisses, Clarice Lispector’s dog and a prominent character in her life and fiction. He is present in the posthumous novel A Breath of Life, he is the narrator of the children’s book Quase de verdade (Almost True), he was mentioned in countless chronicles, and today he is immortalized, alongside his owner, in a bronze statue at Leme Beach, in Rio de Janeiro.
by Bruno Cosentino
Clarice’s connection with politics does not take place on the surface of public life, or in the texts that directly address the issue. This is due to the writer’s understanding of the rift between art and politics, which is addressed in two related texts, “Literature and Justice” and “What I Would Like to Have Been,” in which she observes with disconcerting lucidity the uselessness of her literature as a political instrument.
by Antonio Xerxenesky
Clarice left various papers with drafts to calculate responses provided by the I Ching. Some of the questions are scribbled, such as “What’s my future in general?”
by Cicero Cunha Bezerra
Michel de Certeau, in his La fable mystique, addresses an important aspect in the relation between idiocy and holiness in the first centuries, particularly in Christian literature, namely: a mode of isolation in the crowd. Idiocy, in the form of madness, is attributed to the crowd, and additionally, is established as a provocation, a transgression in the field of the “right-minded.”
by Elizama Almeida
Every year the University of Tennessee prepares AuthorFest, a series of activities to celebrate the work of a single author. In its second edition, AuthorFest paid tribute to Clarice Lispector.
by Bruno Cosentino
The writer Ana Maria Machado had an unusual and emotional episode with Clarice Lispector. This happened in 1975. After having read an article by Ana Maria, published that very day in the Jornal do Brasil, about the birthday of the writer Roland Barthes, Clarice, who did not know her personally, insistently asked her for help to organize what in two years would be the book The Hour of the Star.
