Posts with news and critical essays on the work of Clarice Lispector.
The work of Clarice Lispector revolves around on two notions: the symbol and the thing. The thing, physics, and the symbol, metaphysics; the thing, immanence, and the symbol, transcendence; the thing, the body, and the symbol, language; the thing, existence, and the symbol, the saying; the thing, the event, and the symbol, the way to make it possible to read the nonsymbolizable thing.
In the 1960s, the Spaniard Jaime Vilaseca was a carpenter in Rio de Janeiro until a fateful encounter with Clarice Lispector, for whom he had gone to make a bookcase in her apartment in the Leme neighborhood.
I spent an unforgettable weekend in Cabo Frio, hosted by Scliar who painted two portraits of me. Scliar’s house is very beautiful. Cabo Frio inspires Scliar. I asked him about so much creativity.
The chronicles of Clarice Lispector were collected in a book for the first time in 1984, in The Discovery of the World, a volume edited by Paulo Gurgel Valente, the author’s son, who arranged in chronological order 468 texts published in the Jornal do Brasil between 1967 and 1973.
The numerous commentators who not only in Brazil but also throughout the world investigate Clarice Lispector’s work encounter several aspects to highlight in her multifaceted writing.1 From the fruitful tension between transcendence and contingence to the profound and refined attention to the human condition, one can encounter an immense variety of dimensions in her body of writings.
That was the first sensation which I had when I saw Clarice’s paintings: my whole body shivered in a flush that was shared with these two women who worked every day at the archive. A kind of slip, a discomposure, a “human dismantling.” As Clarice wrote, “She needs to move her whole boneless head to look at an object.”
In 2020, Clarice Lispector would turn 100 years old. A series of events has been scheduled to celebrate the occasion.
Caetano Veloso says that when he showed the acoustic version of his song “Odeio” (I hate), which would be included on the Cê album, to his friend and composer Jorge Mautner, the latter cried and told him that it was the most beautiful love song that he had ever heard.
Every year, in the liturgical calendar of the Catholic Church, Carnival is followed by Lent, a period in which the faithful withdraw from mundane life to dedicate themselves to sacrifices, charity, and prayer.
Clarice Lispector wrote about sex only once. It was in the book A via crúcis do corpo (The Via Crucis of the Body).
For the journalist Laura Freitas, Clarice’s female characters hide the germ of nonconformity – “the women are wild,” she affirms.
The traditional Parisian bookstore Shakespeare and Company placed on special display the English version of the book The Complete Stories, by Clarice Lispector.
In the interviews done by Clarice there is a sort of unsuitableness for the job with respect to journalistic technique. With Vinicius de Moraes, her first approach sounds like a provocation: “Vinicius, have you really ever loved anyone in life?”
In the book Rio de Clarice, the author's pleasure in wandering the streets, forests, parks, and beaches of Rio de Janeiro, where she arrived as a 15-year-old, is evident.
It has become commonplace to say that Clarice Lispector’s writing seeks to overcome the limits of language which the author names “it,” “nucleus,” “thing,” “unsayable,” “silence.”
“I wanted to announce the following: the person I love most in life is named Clarice Lispector.” This affirmation was made by Cazuza.
Academic studies on Clarice Lispector continue to be developed at foreign universities. In 2017, a wide-ranging seminar about the author was held at the University of Oxford.
This August, Todas as crônicas will be released, a volume that brings together for the first time all the chronicles written by Clarice Lispector for newspapers and magazines.
Correio para mulheres (Women’s Mail), edited by Aparecida Maria Nunes, includes texts by Clarice Lispector directed towards a female readership and written in three distinct moments in the writer’s career.
The second part of the original manuscripts of Um sopro de vida (A Breath of Life) was delivered by the writer's son, Paulo Gurgel Valente, to be incorporated into the Clarice Lispector Collection
The critic José Castello will teach new classes for Grupo Clarice, a group dedicated to the reading and study of the works of Clarice Lispector. Among the works discussed are...
Clarice Lispector will be honored at the Brazil booth at the 44th Buenos Aires International Book Fair, which will take place between April 24 and May 14.
The Chandelier, Clarice Lispector’s second novel, published in 1946, was just translated into English by Benjamin Moser and Magdalena Edwards.
The Spanish writer and critic Jorge Carrión recently published, in The New York Times, an essay about the life and work of Clarice Lispector.