, Paulo Gurgel Valente Remembers His Mother, Clarice Lispector. IMS Clarice Lispector, 2014. Disponível em: https://site.claricelispector.ims.com.br/en/2014/12/09/paulo-gurgel-valente-recorda-sua-mae-clarice-lispector/. Acesso em: 06 December 2025.
On December 10, the Moreira Salles Institute presents the fourth edition of Clarice’s Hour, an event that marks Clarice Lispector’s birthday (1920-1977).
As part of the commemoration, IMS has produced a video interview with Paulo Gurgel Valente, son of the writer, who spoke with Eucanaã Ferraz and Elizama Almeida and recalls, for example, the personalities who frequented his home and the first book that he read by his mother.
Correio para mulheres (Women’s Mail), edited by Aparecida Maria Nunes, includes texts by Clarice Lispector directed towards a female readership and written in three distinct moments in the writer’s career.
Clarice Lispector will be honored at the Brazil booth at the 44th Buenos Aires International Book Fair, which will take place between April 24 and May 14.
The word “unfamiliar” is used by Clarice Lispector in several of her works. To be precise, in the original Portuguese, Clarice employed the neologism infamiliar, which is not in the dictionary, though it cannot be affirmed that the author is the source of this term in Brazilian literature. Nonetheless, by mentioning the word “unfamiliar” at least sixteen times, whether in novels, short stories, or chronicles, the author makes this unique signifier an object of greater attention.
At the 35th edition of the Paris Book Fair, Brazil was the country of honor. The program was marked by an exhibition dedicated to Clarice Lispector at Éditions des Femmes,
Caetano Veloso says that when he showed the acoustic version of his song “Odeio” (I hate), which would be included on the Cê album, to his friend and composer Jorge Mautner, the latter cried and told him that it was the most beautiful love song that he had ever heard.
