, The New York Times Book Review. IMS Clarice Lispector, 2015. Disponível em: https://site.claricelispector.ims.com.br/en/2015/12/01/entre-os-100-melhores-da-the-new-yorker-book-review/. Acesso em: 20 April 2024.
The year’s season of retrospectives is now open, and one of the most respected in the literary circuit – the traditional list of 100 Notable Books of 2015, selected by the editors of The New York Times Book Review – has included among the highlights for Fiction and Poetry the title The Complete Stories, a volume of short stories by Clarice Lispector edited by Benjamin Moser and published by the New York publishing house New Directions. The book is expected to be released in Portuguese in 2016 by Rocco.
Katrina Dodson, translator of the more than 80 stories in Complete Stories, spoke with the IMS Blog about her relation with Lispector’s literature, the difficulties she encountered in translating her work, and comparisons with writers such as Kafka, Machado de Assis, and Virginia Woolf.
See also
by Elizama Almeida
In 1970, Clarice Lispector started to write a work that would come to be called Água Viva. Published at the end of August 1973 by Artenova, what follows is a manuscript.
by Bruno Cosentino
Every year, in the liturgical calendar of the Catholic Church, Carnival is followed by Lent, a period in which the faithful withdraw from mundane life to dedicate themselves to sacrifices, charity, and prayer.
by Eucanaã Ferraz
The chronicles of Clarice Lispector were collected in a book for the first time in 1984, in The Discovery of the World, a volume edited by Paulo Gurgel Valente, the author’s son, who arranged in chronological order 468 texts published in the Jornal do Brasil between 1967 and 1973.
by Bruno Cosentino
Correio para mulheres (Women’s Mail), edited by Aparecida Maria Nunes, includes texts by Clarice Lispector directed towards a female readership and written in three distinct moments in the writer’s career.
by Antonio Xerxenesky
Clarice left various papers with drafts to calculate responses provided by the I Ching. Some of the questions are scribbled, such as “What’s my future in general?”
by Alexandre Nodari
It has become commonplace to say that Clarice Lispector’s writing seeks to overcome the limits of language which the author names “it,” “nucleus,” “thing,” “unsayable,” “silence.”
