IMS, Equipe. Interview with Claire Williams. IMS Clarice Lispector, 2023. Disponível em: https://site.claricelispector.ims.com.br/en/2023/10/19/interview-with-claire-williams/. Acesso em: 26 July 2024.
- Vídeos
- 19/10/2023
Interview with Claire Williams
Notes
See also
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20/03/2017
The Clarice Factor
by Elizama AlmeidaIn partnership with the Department of Humanities at Columbia University, the IMS presents the international seminar The Clarice Factor: Aesthetics, Gender, and Diaspora in Brazil.
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27/05/2024
“Me, A Witch?”
by Veronica StiggerIn January 1975, Clarice Lispector received an invitation letter, signed by Simón González, a Colombian businessman, politician, and mystic, inviting her to take part in the First World Congress of Witchcraft, which would be held between August 24 and 28 of that same year in Bogotá, Colombia. [...] But why was Clarice Lispector invited to the First World Congress of Witchcraft?
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Without Formulas
by Elizama AlmeidaIn 1970, Clarice Lispector started to write a work that would come to be called Água Viva. Published at the end of August 1973 by Artenova, what follows is a manuscript.
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18/12/2017
The thinking literature of Clarice Lispector, a class by Evando Nascimento
by Victor HeringerThe professor and writer Evando Nascimento gave a class on the work of Clarice Lispector at the IMS Rio. His talk is based on the category of “thinking literature.”
![The thirst for the other](https://i0.wp.com/site.claricelispector.ims.com.br/wp-content/uploads/a-sede-do-outro-por-bruno-cosentino-e1608038702112.jpg?fit=192%2C300&ssl=1)
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24/09/2019
The thirst for the other
by Bruno CosentinoEvery year, in the liturgical calendar of the Catholic Church, Carnival is followed by Lent, a period in which the faithful withdraw from mundane life to dedicate themselves to sacrifices, charity, and prayer.
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16/05/2024
The Darkness in Darkness
by Eliane Robert MoraesDarkness is a hollow word and one never really knows what fits inside Its dimensions are so undetermined that perhaps it could even be said that everything fits and nothing fits in it, since, being an immense storehouse of paradoxes, the ambiguous quality of immeasurable is immediately added to the primordial void that characterizes it. These attributes, thus agreed, gain particular density when prepared by the wrought of the author of The Apple in the Dark.