• 19/04/2018

Clarice Lispector at the Buenos Aires Book Fair

, Clarice Lispector at the Buenos Aires Book Fair. IMS Clarice Lispector, 2018. Disponível em: https://site.claricelispector.ims.com.br/en/2018/04/19/clarice-lispector-na-feira-do-livro-de-buenos-aires/. Acesso em: 23 April 2024.

Clarice Lispector will be honored at the Brazil booth at the 44th Buenos Aires International Book Fair, which will take place between April 24 and May 14.

The project entails a multi-language exhibition about the Brazilian writer composed of a large poster board with her image, biography, and fragments of her work; books for sale in Portuguese and Spanish editions; video projections with interviews about her; and a replica of her statue, the original of which is located at Leme Beach, in Rio de Janeiro, where visitors can take photos. 

On May 5, a day dedicated to Brazil, the booth will also hold a reading of dialogues by the author, read by five Argentinian actors, followed by a performance of her texts by the actress Luísa Kuliok in an auditorium for up to a thousand people.  

*Photo: Unknown photographer/ Clarice Lispector Archive/ IMS


“The Chandelier” is published in English

, “The Chandelier” is published in English. IMS Clarice Lispector, 2018. Disponível em: https://site.claricelispector.ims.com.br/en/2018/04/05/o-lustre-e-publicado-em-ingles/. Acesso em: 23 April 2024.

The Chandelier, Clarice Lispector’s second novel, published in 1946, was just translated into English by Benjamin Moser and Magdalena Edwards. The book is another of a series of translations of the author’s works that have been published in the past few years. In a statement to The New York Times, Moser observes that this may be the strangest and hardest book by the Brazilian writer (who was born in Ukraine in 1920). The British critic Christopher Ricks, for his part, sees it as a miniature of Clarice’s universe:

So many of the themes, philosophical inquiries and character types that appear [in The Chandelier] will return, honed as Lispector refines her style and hardens them into the diamond like perfection of her final books, which are narrated in jagged aphorisms – ‘anti literature’ she called them.

The American newspaper furthermore celebrates the rediscovery of Clarice in the United States as one of the true literary events of the 21st century, highlighting the singularity of her writing, which is marked by a unique punctuation and syntax, in addition to a capacity to resignify words according to her own wishes – “No one sounds like Lispector (…). No one thinks like her,” the journalist Parul Sehgal concludes.

A few days after the American newspaper featured The Chandelier, the editor Gregory Cowles included the book on the list of ten reading suggestions that he made for the prestigious Book Review column.   

Read The New York Times article here. 

*Photo: Unidentified photographer/ Clarice Lispector Collection/ IMS