, Clarice in Mexico. IMS Clarice Lispector, 2017. Disponível em: https://site.claricelispector.ims.com.br/en/2017/12/13/clarice-no-mexico/. Acesso em: 13 December 2025.
Clarice Lispector’s birthday was last Sunday, December 10th, but the Clarice’s Hour celebrations continue in Brazil and abroad. In Mexico, the Fondo de Cultura Económica celebrated the date with a presentation of En estado de viaje (published by the FCE in 2017), an assemblage of texts from the period when the author was abroad (between 1944 and 1959). Check out excerpts from the reading in the video, with the participation of Tálata Rodriguez.
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by Augusto Ferraz
I died. I found out when, one day, on the sidewalk of Praça Maciel Pinheiro, I lifted my head, opened my eyes, and saw myself dead, there on the plaza’s sidewalk, the two-story house on the other side of the street. My broken heart inside my chest, the two-story house on Rua do Aragão, 387, where, on the second floor, Clarice Lispector lived a happy childhood here in Recife, despite the pains of the world and experiencing and feeling, mainly, the pains of an implacable disease that would one day take Mania, her mother, away from her. I found out when, laid out on the sidewalk there under the scorching Sunday sun, I turned my head to the right and saw a man beside me, who was also looking at the house.
by Elizama Almeida
Every year the University of Tennessee prepares AuthorFest, a series of activities to celebrate the work of a single author. In its second edition, AuthorFest paid tribute to Clarice Lispector.
by Marco Antonio Notaroberto
The following text began with research on the correspondence between Clarice Lispector and her sisters Tania Kauffman and Elisa Lispector, under the care of the IMS.
by Elizama Almeida
It’s the end of 1943. A publishing house of little cultural relevance, A Noite, releases the exceptional Near to the Wild Heart, a book by a 22-year-old author and former employee of the publisher.
by Mell Brites
More or less fantastic in their plots, these children’s stories reveal narrators who, stripped almost completely of their fictional character, are very similar to the author: they are mothers, writers, they go by the initials “C.L.,” or even say their name is Clarice. Thus, if there is a horizontal posture in these narrators in which respect for the particularities of childhood is presupposed, this same movement also shows the desire to become a little more like a child.
by Elizama Almeida
When we had no way of knowing that the hashtag
gratitude would be one of the terms referring to two
strong traits of the future...
