IMS, Equipe. Interview with Claire Williams. IMS Clarice Lispector, 2023. Disponível em: https://site.claricelispector.ims.com.br/en/2023/10/19/interview-with-claire-williams/. Acesso em: 06 January 2026.
Interview with Claire Williams
Notes
See also
Clarice, Mistress
The frequent allusion to domestic servants in the urban environment of her chronicles demonstrates what is a reality for many middle-class families in the country: incorporated into the intimate environment of the home in the condition of a “domesticated outsider”, the domestic servant constitutes the most lasting and personal relationship that a member of the middle class allows themselves to establish with poverty.
In Search of Clarice Lispector: The Biographical Challenge of Teresa Montero
In addition to confirming the value of the biographical genre as a privileged means to meet the demands of a curious public about the past of famous personalities, Teresa Montero challenges the genre’s conventions by reconstructing the family life, personal experiences, friendships, and creative process of Clarice Lispector, an author who, with all her strengths, gave life to her vocation for literature as a fatality and a salvation.
A frame for Clarice Lispector
In the 1960s, the Spaniard Jaime Vilaseca was a carpenter in Rio de Janeiro until a fateful encounter with Clarice Lispector, for whom he had gone to make a bookcase in her apartment in the Leme neighborhood.
Ulisses Lispector: A Portrait
The film portrays the famous Ulisses, Clarice Lispector’s dog and a prominent character in her life and fiction. He is present in the posthumous novel A Breath of Life, he is the narrator of the children’s book Quase de verdade (Almost True), he was mentioned in countless chronicles, and today he is immortalized, alongside his owner, in a bronze statue at Leme Beach, in Rio de Janeiro.
Meaning is a Breath: Images in Clarice Lispector
That was the first sensation which I had when I saw Clarice’s paintings: my whole body shivered in a flush that was shared with these two women who worked every day at the archive. A kind of slip, a discomposure, a “human dismantling.” As Clarice wrote, “She needs to move her whole boneless head to look at an object.”
What Lies Clarice Has
In the times of social networks, Clarice “cultivates” thousands and thousands of “followers”, of “apps”, and “pages”.