In the 2025 edition of Clarice’s Hour, we will celebrate, through the voices and presentations of kids, the children’s story “Laura’s Intimate Life,” published as a book by Clarice Lispector in 1974. In this film, six children retell, act, illustrate, and co-direct the story of Laura the hen, her husband Luís, and their son Hermany in Dona Luísa’s henhouse.
The short film is the fruit of work that took place during the 2025 school year and involved professionals from the Literature Department and students from the Rio de Janeiro municipal school system, combining education, literature, and art, in three stages. In the preparation phase, each child received a copy of the book (donated by the publisher Rocco) and participated in a shared reading activity; next, they discussed the story with their parents at home; and in the third stage – which was creative and artistic – they acted out a few passages from the story and illustrated three scenes. These are the drawings that bring color to the film in a unique retelling of the story of Laura the hen.
A vida íntima de Laura (Laura’s Intimate Life) was conceived by Bruno Cosentino and Eucanaã Ferraz, directed by Laura Liuzzi and Bruno Cosentino, edited by Laura Liuzzi, produced by Bruno Cosentino, and supported by the Rocco publishing house.
See also
by Equipe IMS
Last December, Clarice Lispector’s new website, launched on the author’s centenary, on December 10, 2020, earned second place in the Best Digital Design category of the Brasil Design Award.
by Elizama Almeida
When we had no way of knowing that the hashtag
gratitude would be one of the terms referring to two
strong traits of the future...
by Bruno Cosentino
Correio para mulheres (Women’s Mail), edited by Aparecida Maria Nunes, includes texts by Clarice Lispector directed towards a female readership and written in three distinct moments in the writer’s career.
by Manya Millen
In the book Rio de Clarice, the author's pleasure in wandering the streets, forests, parks, and beaches of Rio de Janeiro, where she arrived as a 15-year-old, is evident.
by Sônia Roncador
The frequent allusion to domestic servants in the urban environment of her chronicles demonstrates what is a reality for many middle-class families in the country: incorporated into the intimate environment of the home in the condition of a “domesticated outsider”, the domestic servant constitutes the most lasting and personal relationship that a member of the middle class allows themselves to establish with poverty.
by Elizama Almeida
Issue 227, from May 25, 1940, contains the three-page story “Triunfo” – Clarice Lispector’s first registered collaboration with the press.
