In the 2025 edition of Clarice’s Hour, we will celebrate, through the voices and presentations of kids, the children’s story “Laura’s Intimate Life,” published as a book by Clarice Lispector in 1974. In this film, six children retell, act, illustrate, and co-direct the story of Laura the hen, her husband Luís, and their son Hermany in Dona Luísa’s henhouse.
The short film is the fruit of work that took place during the 2025 school year and involved professionals from the Literature Department and students from the Rio de Janeiro municipal school system, combining education, literature, and art, in three stages. In the preparation phase, each child received a copy of the book (donated by the publisher Rocco) and participated in a shared reading activity; next, they discussed the story with their parents at home; and in the third stage – which was creative and artistic – they acted out a few passages from the story and illustrated three scenes. These are the drawings that bring color to the film in a unique retelling of the story of Laura the hen.
A vida íntima de Laura (Laura’s Intimate Life) was conceived by Bruno Cosentino and Eucanaã Ferraz, directed by Laura Liuzzi and Bruno Cosentino, edited by Laura Liuzzi, produced by Bruno Cosentino, and supported by the Rocco publishing house.
See also
by Victor Heringer
The professor and writer Evando Nascimento gave a class on the work of Clarice Lispector at the IMS Rio. His talk is based on the category of “thinking literature.”
by Šárka Grauová
by Bruno Cosentino
For the journalist Laura Freitas, Clarice’s female characters hide the germ of nonconformity – “the women are wild,” she affirms.
by Elizama Almeida
Mineirinho, one of the Rio de Janeiro police’s most wanted criminals during the 1960s. José Miranda Rosa earned this nickname, naturally, for being born in the state of Minas Gerais.
by Equipe IMS
On December 10th, IMS Rio celebrates Clarice Lispector’s birthday. This year, we will present, in a single screening, the short film Perto de Clarice (Close to Clarice), by João Carlos Horta, from 1982, in a new digital version based on the 35mm original preserved by the Audiovisual Technical Center (CTAv). After the film screening, there will be a conversation between the writer Heloisa Buarque de Holanda, who was involved in the making of the film and is the director's widow, and Teresa Montero, author of the most recent biography of the writer, À procura da própria coisa (In Search of the Thing Itself – Rocco, 2021), mediated by the IMS literature consultant, the poet Eucanaã Ferraz.
by Paulo Gurgel Valente
I believe that Clarice and I shared a common feeling: objects are not inanimate, on the contrary, they have a secret life. I do not know if the reader has already tried turning off the lights at night in your room and, little by little, noticed that your eyes adapt to the dark and finally you can perceive the living presence of things.
