, 40 Years of The Hour of the Star. IMS Clarice Lispector, 2017. Disponível em: https://site.claricelispector.ims.com.br/en/2017/02/15/40-anos-de-a-hora-da-estrela/. Acesso em: 13 December 2025.
One of Clarice Lispector’s most translated books, The Hour of the Star was published almost 40 years ago by the José Olympio publishing house in October of 1977.
The Rocco publishing house, which as of 1998 assumed the republication of Clarice’s works, is preparing a special volume to celebrate the occasion. Expected to arrive in bookstores in May, the hardcover publication will include six essays written by scholars of the author, among them Nádia Gotlib, Eduardo Portella, Colm Tóibín, Hélène Cixous, and Paloma Vidal.
With a new look, the book will also have an extra section with a facsimile reproduction of the novella’s manuscripts. A part of these manuscripts, in the care of the IMS since 2004, has been scanned and can be accessed here.
Original manuscript of The Hour of the Star / Clarice Lispector Collection / IMS
In addition to the originals for The Hour of the Star, the Clarice Lispector Collection, which is entirely catalogued and available for research in person, is made up of the manuscripts of the novels A Breath of Life and Água Viva, family correspondence, two paintings by the author, LPs, photographs, negatives, and a personal library with around one thousand items, such as books and periodicals.
According to a survey done by YouPIX in June 2012, Clarice is the most quoted writer on Twitter. Every day more than 3.5 thousand phrases by the author – or attributed to her – are posted on there.
The following text began with research on the correspondence between Clarice Lispector and her sisters Tania Kauffman and Elisa Lispector, under the care of the IMS.
Clarice left various papers with drafts to calculate responses provided by the I Ching. Some of the questions are scribbled, such as “What’s my future in general?”
Clarice’s connection with politics does not take place on the surface of public life, or in the texts that directly address the issue. This is due to the writer’s understanding of the rift between art and politics, which is addressed in two related texts, “Literature and Justice” and “What I Would Like to Have Been,” in which she observes with disconcerting lucidity the uselessness of her literature as a political instrument.
The day I met Clarice was not the same day she met me. I was all adoration, observing her. She had no reason to even lay eyes on me. Leaving the Jornal do Brasil newsroom together, the journalist Yllen Kerr, a great friend of mine, said he was going to visit Clarice and asked if I wanted to go. Did I ever!
Academic studies on Clarice Lispector continue to be developed at foreign universities. In 2017, a wide-ranging seminar about the author was held at the University of Oxford.
, Book You Might Not Imagine Clarice Had. IMS Clarice Lispector, 2013. Disponível em: https://site.claricelispector.ims.com.br/en/2013/04/19/livros-que-voce-talvez-nao-imagine-que-clarice-tinha/. Acesso em: 13 December 2025.
When we think about the books that make up a writer’s library, we first imagine works that have influenced the author, or at least dialogue with his or her literary production. When speculating about how Clarice Lispector’s bookshelf would look, a reader could assume the presence of Virginia Woolf’s novels, stories by Katherine Mansfield… and, in fact, in Clarice’s library, which is in the IMS Collection, the two modernists are present.
Unexpected books included various works with Buddhist themes, such as “Introduction to Zen-Buddhism,” “Zen and the Infinite,” and The Tibetan Book of the Dead. The author’s interest in eastern philosophy is evident when we handle her copy of the I Ching, “the book of changes,” a Chinese classic that, among other things, also serves as an oracle.
Clarice left various papers with drafts to calculate responses provided by the I Ching. Some of the questions are scribbled, such as “What’s my future in general?” Curiously enough, this question is on a page in her planner dated December 10, 1974, the author’s 54th birthday. It is also hard to imagine Lispector purchasing the nutritional guide Let’s Eat Right to Keep Fit, by Adelle Davis, or the fitness guide Exercise and Keep Fit, by Terry Hunt.
In addition to these curiosities, we have two books with styles much different from Lispector’s: Stories, by Ernest Hemingway, known for his dry style and faithful to the notion that “to write is to cut words” [as the Brazilian poet Carlos Drummond has said] and Breakfast of Champions by Kurt Vonnegut, a hilarious novel, written in a simple style defined by the author himself as writing “in the voice of a child.”
Revealing some of the author’s very idiosyncratic interests, we have Fun with Mathematics, by Jerome S. Meyer, and Ten Perfect Crimes, by Hank Sterling, who presents particularly ingenious true crime cases. This latter book is perhaps not so strange considering that it keeps company with many works of detective fiction in Clarice Lispector’s extremely diverse and unusual library.
Every year, in the liturgical calendar of the Catholic Church, Carnival is followed by Lent, a period in which the faithful withdraw from mundane life to dedicate themselves to sacrifices, charity, and prayer.
The professor and writer Evando Nascimento gave a class on the work of Clarice Lispector at the IMS Rio. His talk is based on the category of “thinking literature.”
The second part of the original manuscripts of Um sopro de vida (A Breath of Life) was delivered by the writer's son, Paulo Gurgel Valente, to be incorporated into the Clarice Lispector Collection
Clarice Lispector spent her childhood in Recife, but at the age of 15 she moved with her father and two sisters to Rio de Janeiro. It was in the then capital of Brazil that the writer lived her youth and early adult life: she completed high school, graduated from law school, had her first professional experiences in the press, got married, and in 1943, released her first book Near to the Wild Heart.
Darkness is a hollow word and one never really knows what fits inside Its dimensions are so undetermined that perhaps it could even be said that everything fits and nothing fits in it, since, being an immense storehouse of paradoxes, the ambiguous quality of immeasurable is immediately added to the primordial void that characterizes it. These attributes, thus agreed, gain particular density when prepared by the wrought of the author of The Apple in the Dark.
